Monday, October 28, 2019

StAbUrDaY/fRiGhT\diVe_FORTYFIVE=REVIEW: fo4r - Chance the Rapper ⅋ reppaR eht ecnahC




Mere mortals... ghosts and ghouls... damned demented derricks ... gynecologists... Welcome to your dooooooom. Also, welcome back to Saturday Night Live Review!

I hope you're feeling putrid. Because I have a roundup that'll melt your skin, rot your soul, blacken your heart... and wish you had a different career goal. (Seriously, what you do is embarrassing.) Let's take a trip down ...

for Episode 4, hosted and musical-guested by rapper... called Chance, Chance the Rapper.

The Cold Open takes us Donald Trump rally in Albuquerque, New Mexico (or as he refers it - "Albacore, tuna capital of the United States" in "by far, my favorite Mexico") where President 45 (once again played by Alec Baldwin [because fuck Match Game and all the future guest roles; all he needs is this and he's set for life])

There's so much to love here:
- Alec's continued performance as Trump
- The writing, which at this point two years ago was really written by Trump and everyone around him; the writers just enhanced it a bit and Donnie might expect residuals very soon
- The cast, especially Cecily Strong as MAGAsupporter "Christine from Los Crusas", Aidy Bryant as an even loonier supporter, Pete Davidson as an escaped fighter of ISIS, Alex Moffit as "Mark Zuckerberg" announcer Darrell Hammond as Bill Clinton and alum Fred Armisen as Turkey's Premier Erdogan.


Fave Lines:
Everything "Christine from Los Crusas" said
- "I don't care what they say, I know it's big." and
 "We're gonna ride. Kind of the only thing we do." - Bikers with Trump rep (Mikey Day)  (what's funny is how brilliant it is, being an un-exaggerated non-hyperbole on what the MAGAtards would do whether or not Trump is impeached and removed from office. These people can be and - at times - prove to be batshit insane)
-- Everything the background crowd says (proving that the MAGAnuts can be - and are - members of a cult lead by gold-snorting, tan-faced ox of a false idol they are worshiping and willing to die for to get him to even notice them for their brief, undeserved adoration. Also not exaggeration or hyperbole.)
-- "I love you. And I worship you as the one true white lord!" and everything else -MAGAfreak (Aidy Bryant)
Need more?

Another home-run of a political CO. Speaking of home-run, did anyone watch the World Series last weekend??

Chance the Rapper makes his return to Studio 8H, proving - after three stints as musical guest and one as host two years prior (doing the Thanksgiving episode no less!) - Lorne and the crew like him well enough to have him steadily appear the last several years and he hasn't missed a beat... to beat. His Monologue proves it, as it's based around his hometown Chicago's well-known moniker of/as The Second City. And for that, incensed, - and with help from Melissa Villasenor Heidi Gardner and (for some reason) Kyle Mooney - he goes to rap about his favorite things that are second nature in the realm of public opinion.



Burger King, Pepsi, Robin Gibb, Chili's, Luigi (from Super Mario Bros.), Sega Genesis and DMC (as in Run-..., over Rev Run) and forgotten and ill-fated products of pop culture like Bing, the Percy Jackson movies, Antz, Redbox, Adam Carolla, Brooklyn Nets and Scrappy-Doo (Hey, someone likes him too!! I feel redeemed!!) get a shout-out and it feels both pretty funny and pretty charming. While this has to be written by one of the writers, I'd be superbly content if Chance had a hand in the rhymes (he's quirky cool like that).

Random Thoughts:
--If you're an Outlier - with a love of any of those things, this is for you. Outside of Scrappy, I have equal measure love for or outright dislike any of these things.
--Why Chance let a white man (KyMoo) rap should be grounds for his black card to be revoked. This is the mistake we have to put up with after Vanilla Ice. (Eminem and Macklemore are excluded.) KyMoo has no thug life; he could get shot just for thinking that in a black neighborhood.
--Also, I now know what an isthmus is. Every time I say it, I feel like a grown-ass, black Cindy Brady.
--And California Dreams was my sheeeit back in the day. Random afternoon reruns in the 2000s put it on-point with me. Why isn't anyone talking about a revival or reboot of that show?? Why is that trash Zack Morris still getting head-space??
- "I was wondering, do you think I could be on your next album?"
--Heeeeell no! You're lucky you got to rap, let alone speak. Those pretty ladies got nothing but to be the scene in Say Anything. (You KNOW that scene).

--

The Sketch After is the newest, hugely popular recurring character to baffle me since David S. Pumpkins (unlike Pumpkins, I get his schtick and laughed immediately). Meet Lazlo Holmes, a correspondent for the New York regional sports network known as MSG. He usually covers legendary NBA franchise (and nationwide punching bag) the New York Knicks; but thanks to the company's other reporters leaving for reasons from paternity leave to taking to PSATs (apparently they'll cover anything and hire anyone), Lazlo has to cover their sports as well.

Holmes' first appearance had him calmly complain about the cold elements of Hockey (and his surprise that a black man actually likes the sport).

And now, he's bewildered by the on-the-rise and crazily popular... thing known as e-sports with his coverage of the League of Legends World Championship. Believe it or not... he doesn't like it.

Okay... this is hilarious. But at first, I didn't get the hype. Here's the punchline: a black sports reporter out of his element and instead doing coverage of something his race ain't having no business being near, and outright stating his distaste, perplexity for such. It's hilarious to me (and even more so that black people can and do love more than just the the B-ball, but at first I didn't think this would continue. After this sketch... I'm now convinced. And with Chance playing him instead of - say - Chris Redd (because there are enough roles for him [/s]), they don't have to do this more than once a season. It's the same setup and punchline and its more expected  here, but it still works and the jokes land well (even if I cannot possibly relate to whom now has to be the second fictional character in TV history I know of named Lazlo... after him.

Fave Lines (courtesy of Lazlo Holmes):
"I guess e-sports is what White and Asian kids were doing while Black kids were inventing Hip-Hop."
"Well, to me, this game looks like how a seizure feels. But I think if you know what's happening in this clip, you need to get out of the house more."
He says he's kidding. But honestly, he's not. But hey, at least the pay is good.

Random Thought:
S3X PANDA99 is my spirit animal from the username alone. Even if I got zero word out of anything he said.

--

Tasty Toaster Tarts
Jason might have... done something... to his parents.
But hey, he's got the Tasty Toaster Tarts!!!! DAY MADE!!!!

This pre-tape airing close to Halloween may have been obvious but it's no doubt brutally hilarious. Since you watched it, you knew what happens. Chance's performance here was well-done, both as a cheerful, excited teenage boy excited to have over friends for treats and pallin', and a silently deranged demon child who should be in Arkham Asylum and the next subject of an episode of Law & Order: SVU.

--

Spooky Song
Two white kids cavort about a cemetery, and now must listen to four ghosts' creepy compositions about their current careers as celophane-esque corpses. The third one (Chance) is the one we wanna hear about the most to his "chance-grin".

As expected, the cast must sing about brutal ways they met their maker, while host has the most revolting and embarrassing demise of all-- he got mega hard from reaching 9V batteries up his rectum and getting electrocuted from protruding a pole up his patootie on his roof, leaving him parting to the postmortem pissy/poopy-pantsy style. Yikes, no wonder he wanted to skip his turn.

Ahh, toilet humor. When it works, it works. And boy did it work here. Chance did the heavy lifting here, and carried the sketch with ease, with embarrassment easily spoken and foresight of his actions clearly streaked across his face. And the shock and disgust from everyone else is palpable. Plus, the dark setup and punchline mixed with the whimsical humor and songs

Plus, the set of the sketch is the best of them all. The fake tombstones, piano-plaing skeleton and puppet owl (whose reactions somehow remind me of The Californians) and the large LED screen displaying the clouds that create illustrations that show the ghosts' deaths are big pluses to me; and show that when the set design department are great, they're awesome. Great job, everyone. This is the Best Sketch of the Week.

--

Judge Barry
This judge has the power to preside cases judging on people's (men's) appearances.

It feels like something made with Gilda Radner in it. I liked the idea and the flying (guess what it really is) but to me the execution felt a bit off. But the turn off kiss was hilarious. And at least the lady found love... by the bartender that looked up her dress. Certainly gave him a rise up.

--

Space Mistakes

This last Pre-Tape hits the nail on the head on what could happen if you fucked up in space. Shit goes south super soon.

This is brutal to think about, but it is hilarious to watch still.
Remember that Nationwide Super Bowl commercial where the kid is revealed to have died at the end? Well this is like that if it screwed the Challenger disaster: the mystical wonder and delight of working for NASA, only for something to not go right and take the lives of everyone on board. I'd watch this if this was a dark comedy movie should it exist.

Both pre-tapes this week were very morbid and yet very side-splitting. Well done, writers for taking the PT's to some depressing places for the lolz.

--

And now,
Uncut for Ever:
Where I review sketches that didn't make the 90-minute live show.

So, ever watched those Public Service Announcements back in the day when untalented people in loud, flashy clothes overact to what was _then worst pieces of society (drugs, alcohol, sex, fire, littering) and you cringe to when someone suffers or creepily enjoys from one of them? Of course you all did. Well, this sketch takes the idea, and mockingly shoves it up its ass.

This was really funny. The pacing was slow, the direction was a bit sloppy and the lighting was bottom-notch. But all of this, and especially the acting, was intentional to prove a point in how bizarrely bad it is (beside many of the worst PSA's). The acting was terrible, the clothes were bargin-bin as Boscov's, the writing was trash, and the production rushed and sub-par Canadian children's comedy. And it all was brilliantly well-done. I wouldn't haved loved it if it made the live show, but as a cut sketch it was A+ execution.
That reminds me, I gotta watch those Smokey the Bear and McGruff the Crime Dog cartoon PSAs from the 90s. Those were my childhood.

--

Chance the Rapper introduces this week's musical guest: some rando from Illinois named... oh yeah.

He performed some new tracks from his first ever studio album The Big Day (don't worry fans, it's still self-released): "Zanies and Fools" and "Handsome" with the woman whom will at this point be forever known for "Hot Girl Summer", Megan Thee (remember the second "e") Stallion.


"Zanies..." is a deliciously hype record about his meeting his future wife at a Re/Max open house. The song is bright, ; and the performance is all-pink from lighting to dancers and the band's outfits. The showcase also featured a video of Chance's beautiful daughter singing "Impossible: It's Possible" from Rodgers and Hammerstein's Cinderella, which is sampled in the song and lifted every single one of my spirits. Chance's usual bounce, goofy rap-sings were the usual yet a nice touch, but everything else about the production felt like something I've never heard from Chance (which should say so much of me not hearing his music. Gotta change that).

"Handsome" is young typical brag rap song. Rapper says he looks hot, is rich, sees everyone as jealous of him his "talent" and his bank account, and has eyes for one girl having eyes on him. It's obnoxious but it's usual. But wow, this is uncomfortable to listen to, especially when it's made by Chance the Rapper. I don't know if he made songs like this before, but this isn't something he can make in his element (at least to me). And it shows here. Megan Thee Stallion is certainly in hers, but her lyrics (some good, others very much not) are sloppy and raunchy as her voice. She does have the energy to say them but she's more Nicki and especially Cardi than Remy (ironically Nicki did guest on "HGS", so there's that). I really like the production and work by the backup band though, so there's also that.

I hope The Big Day features more songs like Zanies and Fools than like Handsome, because despite the roller coaster feelings of Chance's musical performances, I still wanna cop the album, no matter how brutal the fan reaction was. I mean, DAYUM.

--

Well, this episode was fangtastic. The writers certainly tapped deeper into Chance's strengths as an actor for the sketches, the cast were in their Agame as always, there was some chemistry going between the Rapper and the Cast, and while there weren't any sketches that are exactly memorable (probably other than Lazlo Holmes II: Spastic over e-sports), they were still funny in their own ways.

Best Sketches:
- E-sports Reporter
- Spooky Song
- Judge Barry

Next time, it's episode 5, hosted by award-winning indie darling (and you know where else) Kristen Stewart with music from newly Five-Timers Club member Coldplay. Who knew an F-bomb actually can't keep you away from coming back? Certainly not me (... everyone but Lorne. Must be the forgiving type.)

Well, then, evil spirits, that takes care of our little rendezvous. Any last words?? Oky, Happy Halloween, everybody! Either enjoy the treats, or enjoy the trick that'll rid us of your miserable, miserly existence. Enjoy the day...

...and I'm Andrew, saying Goodnight, and "We're not judging you."

...well, I am.

Saturday, October 12, 2019

SATURDAY/NIGHT\LIVE_FORTYFIVE=REVIEW: three - David Harbour & Camilla Cabello



(refresh - more at the bottom)

Howdy, pard'ners.

Welcome back all to SNL REVIEW.

I'm back with more random rambling live during commercial and nothing less (or more?) I had a lot of fun with my return of reviewing SNL last week and I hope you all enjoyed it as much as Pete Davidson skipping out so far to film The Suicide Squad reboot. I hope this week's episode will be just as fun and funny as I'm not about to drop to rock bottom with the writers after the assist in glow-up from Phoebe Waller-Bridge. But I believe that they can linger on (they did win an Emmy by the way...)

This week, our host is David Harbour, star of Netflix's colossally-popular, hugely beloved, enormously-successful and substantially-talked-about original series...






Word Party.




Just kidding, it's Stranger Things.
 Since most of you know what it is, and we all watched it from day one, I will stop right there and say...  there is not much else about him I know. Other than the Hellboy reboot, but I heard that it's terrible as all... you know. But hey, he's got a slot as host this season probably on the strength of ST's third season, so yeah that's awesome.

This week's musical guest: Camila Cabello, however, is not as awesome.
I... don't like her music. one bit.

When she was a member of Fifth Harmony (a girl group I've shown to dislike greatly), she was my least liked member. Her vocals were weak, fuzzy, try-hard and pure awful. Any song I hear has a full verse from her and her length feels like slipping honey in my ears and then laying sideways behind an anthill. So it makes sense for her to break out and go solo - thanks to her bigger popularity over her bandmates, and yet have the same talent, range and delivery across her recordings. No song of he"rs has been a favorite of mine -- "Havana" (about the real-life capital of Cuba she barely remembers from infancy) is consistently one of the worst songs of last year - sans the beautiful,  well-done production, "Consequences" was okay but not by much, and "Never Be the Same" is the better of them all, but most on the strengths of the beat and her vocals on the hook (outside the second "fahw".
And now, Camila is back to make me tap out for round two with her newest album Romance. (Wow, the second SNL MG in a row to name an LP after a word tied to the emotion of Love. What. a. farce.) And since she has four singles released already, as if her team at Syco Music and the execs at Epic thought her popularity needed a good shot in the arm to keep it alive (oh yeah and just a reminder to get your flu shot this month before flu season. Better to get a prick in your life and still clean than be a prick as an anti-vaxxer). "Liar" has Cam-Cam spew out the wince-y breathy vocals I may have ever heard, but the ska-, Latin-trap- and flamenco-based production is deliciously bouncy , "Shameless" is even more so than the TV show with an unfinished dullard beat that reminds me of Martin Garrix's "In the Name of Love" with garbage, over-the-place singing, "Cry for Me" continues the crap beat method of "Shameless" (ironically with different producers) while sounding more than barely like "Senorita" with a weird stanza delivery, and "Easy" is a better pill to swallow - with sweetly twinkling strings, slushy yet smooth bass, nicely placed 808, and a and sleepy (in a good way) attempt at a relatable ballad.
Plus "Senorita" itself is a slower, more boring retread of "I Know What You Did Last Summer" that feels like a racial insult... but with decidedly less "AA-AAH"s and "HEE-EEEY"s.
Well, we'll see how she'll performs two of these songs live this week. Spoiler Alert: She did do nicely during that Taylor Swift concert I mentioned last week, so... she has a leg up here.

Let's do this...

--

And we're live ...

The CO mocks CNN's Presidential Town Hall on Equality toward the LGBTQIA communtiy. Out of the gate, it was hilarious. All the right cylinders were fired. The can Cory Booker (Chris Redd) walking in before leaving to avoid a gaffe, Pete Buttigieg (Colin Jost{!}) walking to wonder why he hasn't won,  Elizabeth Warren (Kate) with the  snatch game wordplay, Julian Castro (Lin-Manuel Miranda!!!) bringing the reminder he's Latinx (yes that exists) (and nice almost Hamilton breakdown) and Joe Biden (one host Woody Harrellson) making up everything he thinks he knows as he goes-- I mean-- yeah. Everything about them leading up to the town hall was brilliant dissed. Also, yaaasssss Billy Porter with the fabu cameo and even more sponsorship. This was incredible.

--

David Harbour makes his 8H debut essentially taking about the one thing he's known for (outside of the thing he isn't known for) and then goes through a studio walk where the set designers BRILLIANTLY mix the hallway with the Upside-Down from the show. Kate encourages him to enter, Baby Aidy is trapped (and now named Barb) (RIP Queen), Beck Bennett taken by the Demogorgon, and Lorne leaves his office to now be the bith of the guy who now owns the show - Mike--uhh, Kenan. Best Mono of the season so far. Oh yeah, Pete Davidson (remember I mentioned him?) is back! Apparently, he's been stuck there. Makes sense.

--

It's time for the 29th Annual Little Miss Teacher's Friend, where kids compete for the title probably no one but the most delusional-ly uptight (me probz) would want. Baby Aidy and Kate do wonderfully as last year's winner, the weirdo first kid respectively and Melissa Villasenor and Chloe Finnerman was also wonderful. Harbour does great as the open but perplexed principal and Ego Nwodin same as the even more perplexed teacher.

--

Okay.... I didn't think we want this, but.... I think we need this.
After the gargantuan success of Joker, the folks at SNL decided to up the ante by taking on a beloved children's character and make a trailer based on them as gritty and grimy as possible. And... it all fits like a hand up a muppet's ass.

The fake trailer for "Grouch" Was everything. All the well-known Muppets make an appearance and are smartly portrayed and skewered. Everyone in front of and behinf the camera gave it 110%, especially the cinematographer and costume designers. I'm very impressed and I can't believe it took them less than a week to get it done. Best Pre-Tape so far.

--

SoulCycle

Bowen Yang proves to be worthy with his calm, upward and random demeanor, Harbour is hyped like a coke fiend (literally), Heidi Gardner has a sweet-but-sour pro, and Kate has an addictive gruff behavior, as the instructors. Ego Nwo and Alex Moffit make a cool couple with their faults (especially her being the worst cyclist). I've never been, but I think I'll try it after this.

--

Camila, Camila, Camila... that was pretty good.

I wasn't a fan of "Cry for Me" as stated earlier, but this live performance sounded much better, and she gave better vocals here than when she recorded it. The setup in the days of Marie Antoinette are based on Madonna's iconic "Vogue" performance at the MTV VMAs, but was almost entertaining. This actually almost made me like the song. Almost.

--

Time for an Update:
Jost and Che tackle Guiliani's "friends" being arrested , Trump lying about not knowing them, Trump bitching about a Fox News poll on his impeachment, Trump's other shit this week and CNN Equality Town Hall.
-Heidi Bowl returned as Bailey Gismert to review the box office smashes including It Chapter II and Joker, before being sad about her guy friends going of to college and mentions missing Leslie (Jones- whom I miss too). This is one of my favorite Update characters, continuously played nicely by Gardner.
Pete Dave returns! Yes, he's back to discuss new diseases. Fittingly. He hasn't missed a beat, with the same confidence and rank humor the got him the job - which he missed for a movie that'll no doubt go gangbusters at the BO. Maybe DC's movies are getting better from now on. We'll see, let's hope Grouch will be real.

--

On PBS' broadcast of an old music variety show The Bob Rogers Show, a folk band perform their classic. It's raunchy. And hilarious. The song brilliantly flips the script on sweet, sappy 60s songs with lyrics that would be more fitting on hard rock 'n roll.  Plus the designer staff perfectly brought the styles to life, making Harbour, Kate, and Aidy look like the Mamas and the Papas riff they're supposed to be. Plus, I love the end  the latter two embrace and where the camera pulls away from the cheap-ass set and the SFX turn back to HD color. Love when they do that.

--

Have you and your father been drifting apart?
Need some bonding time.
Well, check out the Father-Son Podcast Microphone.

While this one is obviously, overshadowed by the Grouch Trailer, this Pre-Tape still managed some laughs by Harbour and Kyle Mooney as a convincing dad ans offspring. The little talks and awkward silences and cuts to ads were side-splitting.

--

Three siblings visit their loving grandparents, but they seem to forget the kids are here by getting fresh with each other.

The writing was weak, but the physical comedy was off the charts. Weird little sketch that made me thought it was almost 1AM.

--

Camila returned for song #2, "Easy". Like the last one, Camila's live vocals made it more tolerable and even enjoyable for me. With excellent assistance from the backup singers and band, this performance is much better than the recording. And that dress... GOT DAYUMMMM!

--

Dog Court. Genius.
Must be almost 1am.

This dumb sketch. This ridiculous sketch. This adorable sketch.

I have not much to say here. The K9s have melted my heart, the moment when the dog try to flee from the judge was hilarious, the boob-bleep was actually brilliant, and the one dog's response was Hil"Aruuu"ious.

--

Okay. That was just as great as last week's episode!
David Harbour was fantastic for a first-timer - definitely game for all the sketches and supremely delivered - and surprisngly didn't look at all stonefaced with killer eyes like we see most of the time on Stranger Things. And Camila Cabello far exceeded my expectations; she's a really good live performer. The cast did spectacular as always, so did the writers. Whomever they picked up to created the cue scripts this year deserve a few gold stars from me so far. I think the Grouch sketch will be winning a few awards next year (no not just nominations - winning).

We're on our first hiatus of Season 45 next week - that gives me the big opportunity to review the premiere hosted by Woody Harrellson and musical guest (and Royal Wedding scene ripper-offer [according to some dancers] Billie Eilish. Please come back on the 26th when Chance the Rapper returns for time number four hosting episode four, the Halloween episode. Will we get a new David S. Pumpkins? I hope not; they'll try too hard.

I'm Andrew. Good Night.

Saturday, October 05, 2019

SATURDAY/NIGHT\LIVE_FORTYFIVE=REVIEW: two -- Phoebe Waller-Bridge & Taylor Swift


Hey...

It’s back. My review of Saturday Night Live is back after… a fuck-ton hiatus. I know this blog is infamous for stopping reviews out of nowhere and keeping mum about them, leaving you all disappointed in me and  And I don’t blame you all for that, and for that I truly apologize. (That reminds me, I gotta finish Star vs. The Forces of Evil, review more new cartoons, not to mention Fifty-Difty-Doo!)

Things have gotten more hectic in my life since I didn’t finish season 41. I got a job, then another, left one job, stuck with the one I hated, got a better job, got a new computer, went to a few comic-cons, gone to a few special events and actually getting the courage self-esteem and will to live, live, live. So, if anything, it’s as if I needed a blog as a hobby to just pass the time. Now that my life is now in balance and I'm feeling better than I've been in years, I feel more alert and excited to do long form reviewing again.

As for the FFD! Thing, my internet cut off at the worst time as was halfway finished the TV shows reviews, making me miss the planned end date (which was the 50th anniversary of Scooby-Doo, Where Are You!’s debut), so this month I’ll finish the celebration and end of this month with the original on Halloween.

Anyway, back to SNL. Now that the show has returned for its landmark 45th season, I feel it’s time to man up and return to something long-form-ish to keep this site from recurring dormancy. And this is one of those somethings; I really enjoyed reviewing SNL for the 2-ish seasons I’ve done it, but lots of things caught up with my time to drop it. Also, to be honest, the more I watched it, the more I got bored with reviewing it. Nothing clever to say (and that’s most of the time), nothing much new to like, and I didn’t want to spend three more years saying “Why is Taran Killam is every sketch?” And yet I now have a full season to say “Why is Mikey Day in every sketch?” And you’ll just might see why later on.) So for now, I'll retry my review in a more live-blog format -- where I'll review the show and post my thoughts briefly at it goes along. Then rewite it to add more thoughts after clips of the sketches are posted on YT.

Now, the thing you want me to discuss before you rip out all your hair: episode two. This week, our host is red-hot British TV triple threat (creator/writer/actor) Phoebe Waller-Bridge. I know… next to dick about her. Nothing she made has been on my radar since the first time I heard her name. The only thing I do know is her work on Killing Eve -- an absolute badass humdinger of a TV show. Her work as showrunner during the first season was razor-sharp second-to-none. So I was wondering - why is the woman who wrote for Killing Eve doing Saturday Night Live?

This is why: 

Fleabag.

I never got to watch it, because it’s on Amazon. I hate Amazon because of the deplorable work conditions towards its workers. And it’s because of that, I've been out of the loop from it (poor me). I’ve heard of raving, glowing, phenomenal reviews to it, and its surprise wins at this year’s Primetime Emmy Awards (with PWB even beating alumni Julia Louis-Dreyfuss for Actress in a Leading Role in a Comedy Series) bolstered my surprise of it. Before even the nominations, I never heard of Fleabag outside of the name. In fact, this isn’t the first Fleabag I’ve ever heard of.
Until then this is the Fleabag I’ve ever known.
This character from The Oddball Couple, the 1975 Saturday morning cartoon based on The Odd Couple (the classic Neil Simon play and the iconic sitcom from which it was based). All I can assume is that they’re both self-assured, loud-mouth, sloopy, gratuitous slobs, but whatever that Fleabag does, this Fleabag can’t -- cause 97% of her actions can’t be shown Saturday mornings on ABC in 1975 (or any year with a 5 outside of premium cable).

I’m gonna guess that the show will be parodied in a sketch. Other than that, I think PWB will give a marvellous performance. She (along with the show) did win an award last week. They’ll be a match made international telly heaven.

Meanwhile, this week’s musical guest... is none other... than Tay-Tay.

Taylor Swift has had quite a last few years. After 1989’s era finally ended and we all shook it off for a new blank space to suit our style (...I’ll see myself out.), T-Swizzle then got caught in a war no one expected...or asked for or wanted with Kanye and Kim K. That manifested in her going into radio silence that lead up to slinky, slimy, slithering snapback with reputation… her worst record yet. In fact, during her last performance on SNL, “...Ready for It?” was a sludgy, screeching white-girl-rapping failure (nothing more to say that won’t make me laugh my bigger-than-hers ass off), and I don’t need permission to say what I think about her or her relationships, but thanks to “Call It What You Want”, I can say that I really think about the latter: meal tickets and remedies for her occasional writer’s block. But hey, at least she’s talented and her music is mostly real good and catchy. And I did get to see her during it’s stadium tour and she was fantastic.

Now, her latest LP, Lover hit the stores and interwebs, it’s… better. The songs are cheerful, optimistic, colorful, catchy and pretty well-written (at least from some singles I’ve heard so far). And it’s a real sweet syrupy strawberry letter to something she just can’t find but acts like she has it all over her… Love. “ME!” is about finding it with a guy while the singer(s) thinks other people are better than them (yes) (although hearing  "Hey, kids, spelling is fun!" makes me want to whack myself off with a flail), “You Need to Calm Down” is a lovely composition about her “support of the LGBTQ+ community while also telling everyone around her to get off her ass, and “the title track” is about loyalty to someone -- my personal favorite of the three. And I’d be excited to see them all (or two; cause duh) done live - preferably in front of the performance area specially dressed like the album cover.

--

And here we go!
The Cold Open takes place in Washington, where President 45's "dream team" of VP 45 (Beck Bennett), AG William Barr (Aidy Bryant), and attorney-at-dim Rudy Guiliani (Kate McKinnon) try to gather themselves after the aftermath of Dump's impeachment inquiry. They're joined bu Mike Pompeo (surprise guest Matthew Broderick) who should be doing what he was voted to to. I loved this one; the usual heavy hitters are still in their A-game, the writing was top=notch, the direction and timing were perfect (Don Roy King deserved his Emmy), the appearance of Broderick was awesome, the snake as Stephen Miller was brilliantly... venomous. (Ehhh?) Great start.

Waller-Bridge makes her 8H debut, and her Monologue is sharp and smashing out of the gate, with a mind-blowing-ly meta assessment of the thing that happens after the thing that takes down the set of the CO, introducing the cast in a glossy, high-powered, expensive video that shows them in the city doing things they can't do if they weren't here, with them being happy because they get paid to do it.

The whole is a bunch of non-sequitur in a stream of consciousness that has Phoebe incredibly showing off while superb she is. Did she write this?? That explains why it was hilarious. (And yes, I'm trying my best to use as many British slang in ref to her all night, so buckle up mates, it's gonna be nigh bloody cricket).

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The Sketch After is a game show. Will Mikey or Kenan host? We shall see. See, we shall.

It's Kenan. The game is What's Wrong with This Picture, And Elliot Pants (christ) is the host. Three reaching morons try to figure out what's incorrect. The whole thing is uproarious from start to finish, with all contestants (Baby Aidy, Kyle Mooney and PWB) giving random answers that have Pants and us all losing our sanity with the hopes we'll get a raise tomorrow. Every line is hilarious, and Kenan's quiet hamminess is Delicious. If I did this show, I'd be armed. for my head.

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Next up, the Pre-Tape After takes a shit on Love Island. It's a reality show where the most obnoxious, over-makeuped and tanned people stay on an island. I would say this is spot-on, but since I don't watch the US version, I would've bashed my head with a steamroller. If I lived in the UK, I would've considered priesthood now that this rubbish exists.

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WANU 7 Mid-Day is on the air, and the anchors (PWB, Kenan, Ego Nwodin & Alex Moffit) are recapping the stories... before debating, hoopin' and a hollerin' while playing "GUESS WHAT RACE IT IS!"

If this isn't me and every other person with way too much time on civics and watch more than a half hour of BET...
This has to have been written by a black person and a very urban white person. But it was glorious. All the cast members and PWB rocked in this one, showing personalities you wouldn't (and shouldn't) see in your favorite news people doing sad stories  involving murder and larceny like it was the NFL Draft! Too much for the mainstream but perfect for some - me included.

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This next one has been done before. A man fighting in war (Mikey Day - this time as William) sending love letters to his love. Then she sends letters back that look like Dear John letters. It was hilarious the first time and worth continuing. This new installment is just as grand. PWB is supreme as Lydia, who doesn't seem to give a flying fig about William and is enjoying the time apart and destroying her husband loyalty (and self-esteem). The glee she gives him while he wants answers to everything is horrible... yet hilarious. William... get a new wife. Or at least... experiment.
Considering with snickers (from a different time),
Andrew (PS. I'm shagging with Lydia, haha)
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So, after commercial about her music on... AMAZAAAAHN! and the stupid Cats film...
https://youtu.be/8p0EW65CWmA?t=695

Taylor wift takes takes the Performance Area, looking like Kermit the Frog's new mistake-- I mean, flame  in a bright green room with scattered papers hung throughout performing Lover the title track from Lover the album (I knew it! [...the last one]). I really love this; Tay-Tay along performing on a player piano is a brilliant arrangement, and for this smooth, airy, charming song, it's one I still didn't expect or thought I'd love, but it's here. Her vocals are incredibly sweet and savory, and per piano playing was perfection.I didn't think to look forward to Swift performing live again, but like the liar and dirty, dirty cheat I am, I really actually did. And I'm happy for that.

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Time for an (Absolutely Needed) Update:

Jost and Che are back to tackle the Trumpechment Inquiry and do it flawlessly, tag-teaming the idiot-in-chief's countless public crimes, accusations against Joe Biden and his son Hunter, the moronic moat with alligators and snipers and hundreds of tweets bitching about the Impeachment Inquiry (plus the dim Nickleback Photograph tweet).
Remember when I hated these guys. I feel like shit now. They've come a long way.
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Kate McK returned as Elizabeth Warren and discussed her policy tactics, big money donors choosing 45 over her, and a random conspiracy theory about her rough-fucking a 24-year-old Marine. Kate kills it yet again, from the look and dress to Warren's Tilly Green-esque voice and mannerisms. The jokes left me gasping.
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Newest featured player Bowen Yang (shining bright after the...controversy surrounding another featured) makes his Update debut as Chen, talking his thoughts on the U.S' trade war with China. Yang's mannerisms and tenacity are infectious and was my favorite of the "guests" this edition.
I'll never not hear Tig Ol' Bitties ever again.
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Mikey appears as Mort Felder, an elderly commentator discussing Centenarian News, the accomplishments of 100year-old seniors... before blurting after Colin's praise that they died soon after. The joke is obvious and repetitive but the punchlines are clever, well-placed and well-spoken by Day, whose voice fits an old man a bit too much, but still works the gut-bust--I mean, side-split--uhh funny gag--joke very well.
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Well-done job by everyone this week. This second time around was amazing for Update. Even the groaners were good.

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Hello and welcome to "Royal Romance", introducing Jimmy J Robertson, a former 70s blaxploitation star who was later chillin' as a member of the Royal Family, married to a lesser-known duchess. Kenan shined like the bitch Thunderstick pumped in the head as Robertson , and I ate up his hamminess and swag like black licorice (which I hate), and the supporting cast was prim and proper in the "BBC Special".

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The sheet music blew away and is now replaced by a dimly-lit Performance Area flanked by equally-dimmed light bulbs and her now-appearing short-numbered band to perform "False God" (a new song I've just heard here first). I enjoy the production very much, same with the backup vocalists, the drummer, and especially Lenny Pickett -- THE guy behind the musical voice of SNL, the saxophone. Lenny was FUCKING AWESOME!!!
I'm so watching this the SECOND it hits YT.

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The Sketch Before the Goodnights takes place at a trailer-trash watering-hole, where four women (PWB, Cecily Strong, Baby Aidy and Kate McK) acting like members of the Buffalo Gals, try to woo (lightly speaking) a guy (BeckBenn) who wants what Lizzo wants to be -- a bad bitch, non-committal, before whacking him with with whatever bar items they can find. It's as glamorous and romantic as it sounds. It's as clear as the ladies' voices -- muddled, . But still chuckle-worthy. Mikey Daylenz had no right to be here (there it is), and Beck was forgettable. Who played the guy again? Anyway, weakest of the week, hands down and not worth last call. (Ehh??)

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So... that was bollocks. Oh wait, no... it was... bloody brilliant! The cast were all energized and electric and eclectric. PWB brought her own brand of humor (as far as I know; still gathering from the Mono) and it translated seamlessly. She was a first-timer, but acted as if she reached Five-Timer status. She was a fantastic host and deserves to come back. Whether Fleabag gets another season or not (with British telly, two seasons and 12 episodes can last a lifetime over there) or if she'll star in a blockbuster movie -- which she'll no doubt do soon (she's worked on the next James Bond film No TIme to Die and has starred in Albert Noobs, The Iron Lady, Goodbye Christopher Robin and Solo and Rouge One: A Star Wars Stor(ies) {if you watched either]), at this point in time, if you didn't watch Fleabag, you now know who Phoebe Waller-Bridge. And with this review, you will happily never forget her. She's here to stay, rest of America. Enjoy her like you enjoy... whatever one British show you watch (or have watched before). Let's say... Crashing?? ...wait, what's that?

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Anyway, next week, David Harbour, star of Netflix's smash Stranger Things (a show I have heard of; it's American. lol) is the next newcomer to Studio 8H, joined by another newcomer, Camilla Cabello. I've heard of both. I like Harbour.
And I hope you enjoyed this review, and my new live-update format. If you have something to say about my new reviewing style, let me know in the comments section below. If you don't... well, I got your pageview anyway. That proves you were here.
Goodnight old chaps, beans, and old floggers and "Take a look at my big, black ass!"