Saturday, May 30, 2015

Short/Long Song Review: Trap Queen (#MaroonMay)

Hey, everyone. What's up with ya? It's Andrew once again welcoming you to one last Short/Long Song Review during Maroon May 2015. And boy are my arms tired! heh-heh-heh.

(No seriously, my arms are tired from all this typing. It is really sore.)

The song I'm reviewing is a literal surprise and the definition of "pandering".
The first time I heard this song was sometime back in March; I overheard the song playing by someone in my family, and thought of it as just another C- or D-list Hip-Hop song by some C- or D-list Hip-Hop artist trying to make it big like all the others. It featured the same old shit and his vocals were fucking irritating. I couldn't imagine myself hearing it again for the rest of my life and that this guy won't have much of a career in the mainstream (He probably would make it as a one-hit wonder in the underground). So imagine my surprise when a month later, when it hit the Billboard Hip-Hop and Hot 100 charts, and actually rose up the latter like crazy. Not only being a red-hot hit on the Hip-Hop charts (as expected), but also making it big on the MAIN chart, by reaching #2. NUMBER. TWO!! So I was flabbergasted as hell that a basic-ass song about cooking and selling drugs with a woman looking like a glorified mule would ever make the Hot 100 like it did at all, let alone reach the Top 5! I--I was speechless.

So it's my time to talk about this painful, worthless excuse of a success story by the Slick Rick (probably not, as he chooses not to cover his eye, which he sadly lost to Glaucoma during his childhood) of the 2010s, "Trap Queen" by Fetty Wap.
(You know you've got a problem when the #3 song in America is named after some down-ass chick)

"I said hey, what's up, hellooo"
Hello.
"Seen yo' pretty ass soon as you came in the do'/
I just wanna chill, got a sack for us to roooll
"
Dude. You just met her. You don't know if she smokes yet. For all we know, she could've been a drinker, she could've been a fan of Game of Thrones, she definitely wanted to date you for the sex. I'm sure she wouldn't have found the one eye thing sexy without the occasional jump on the D.
"Married to the money, introduced her to my stove
Showed her how to whip it, now she remixin' for low
"
I'm sorry--are you two making crack or pancakes??

"We just set a goal, talkin' matchin' Lambooos/
Got 56 a gram, prob' a 100 grams thooough
"
--Of what, Excedrin?
"Man, I swear I love her how she work the damn pooole/
Hit the strip club, we be letting bands go
"
If you love how she strips and swings, and the fact that she's your girl, what point is there in going to a strip club? That's a waste of money! And time away from the "stove"
"Everybody hating, we just call them fans thooough/
In love with the money, I ain't never letting go
"
Why would everyone hate you two, if you're their pusher man? Oh--because you're with a woman they see themselves with. I guess that wouldn't be good for your pot sales, now would it?

"And I get high with my baby (baby)
I just left the mall, I'm getting fly with my baby, yeEEAAah
And I can ride with my baby (baby)
I be in the kitchen cooking pies with my baby, yeEEAAah
"
Pies? I thought they were cooking drugs. So, it's some lyrical Red Herring or some shit? Because usually when a rappers raps abut being a drug maker, the last thing you would hear them making is baked goods.

"I hit the strip with my trap queen, 'cause all we know is bands/
I just might snatch up a 'Rari, and buy my boo a 'Lamb
"
You mean this lamb?

Or this lamb?

No--this lamb?

Oh. Lamborghini. I'm so intentionally stupid.

"Bitch you up in the bando, without deniro can't go/
Remi boys got extendo, count up hella bands tho
"
And I just lost several IQ points trying to figure out what the hell all of this means.

"I be smoking dope and you know Backwoods what I roooll"
--Because...amnesia.
"Remy Boy, Fetty eating shit up that's fashoo"
--But not literal shit. As for as I know.
"I run into yo' house/And then fuck yo' ho"
--Just one line. You couldn't go the entire song without mentioning Just. One. Line. About fucking another guy's girlfriend. Yeah, because that's all chicks within easy reach of you are--Hoes. Didn't you say you love your drug mule--I mean, down bitch--I mean, Trap Queen? Oh I see, she's not a romantic partner, just some chick you use to help curb the sales. Uhh, you're not Walter White and she's not Jesse Pinkman. This shit is not romantic at all.
"'Cause Remy Boyz are nuttin', Re-Re-Remy Boyz are nuttin'"
Got that right.

Well, despite the horrible lyrics and irritating voice that should make adults cry (and I should mention that he's rap-singing instead of rapping in this song, because he's trying to be different from other rappers. Except that it's happened before with other rappers.)...this actually isn't a song I wouldn't mind listening to.
Yeah, his voice isn't horrible, but it is endearingly annoying. The verses are unintelligible trash, but they are also kinda catchy--you could say disgustingly catchy. That is...if you can read through these lyrics and know what he's talking about. And the beat is--well--it's better than a beat by DJ Mustard or Mike WiLL Made It, so that helps. And the music video is--well...

The music video looks like the ones you would typically see on YouTube directed by a C-list director that was paid by the rapper to make, and has everything you'd normally see in one:
-bland, stilted angles with a crowd of people behind the rapper backing him up while trying to get their faces shown on camera
-slow-motion shots of a sexy girl on the rapper's lap
-expensive, international cars you have to wonder how they could get on impulse
-random shots of bands of money and/or guns
-a small ghetto-like part of a town with black people doing usual things black people do on a normal day (standing on the curb, braiding hair, smoking, ect.)
-shots of random guys flexing and showing off alcohol or guns
-and children appearing for some reason (I guess the producers don't mind letting children into a video shoot listening to a song about making dope and sleeping with another guy's girl over and over)
-and to cap it all off, the logo of whatever production company made the video, along with their website and social media pages on full display at the end
-oh, and whoever these guys are at the end.

I don't know why they're there (and I don't think anyone else does either), and I don't think putting them in the video would make any significance to it or difference from the rest of it.
So basically, this clip has everything down pat, and is on its way to viral success. Sadly.

And he did have prophetic prediction that this song would be a hit, and he was right. From reading the article on Wikipedia, he said this song would be one that would be a hit on the charts. (The article also said it was "giddy" and "affectionate". I laughed like hell from that.)
Surprisingly, it wasn't just the Hip-Hop charts. As of posting this, this song is currently #3 on the Billboard Hot 100 (and peaked at #2!), and is #2 on the Hip-Hop and Rap charts. This is a huge hit for some nobody/underground artist that no one expected to be a hot commodity. Sadly, after Bobby Shmurda happened, it can happen. It shows that anything these days can get popular and have staying power, no matter how basic or terrible it can be. Congratulations, Mr. Fettuccini Guap. You now have a hit song on the radio, and I actually admit to finding it in my head in a good way. We'll see how your career goes from there in a couple weeks. And judging from the look of the video, I'd say...not very long.

Thank you for joining me for the last Short/Long Song Review of Maroon May 2015. I'm glad to have spent my time doing this segment more than once, and with these now released, I can sleep now, and not have my family look at and talk to me like a beatnik.
A Maynard Krebs if you will.
I'll see you next year for Maroon May 2016, and I'll see you later for another Short/Long Song Review.
Until then...

I wish I had a lamb costume...

D-Did I just reveal that??

Friday, May 29, 2015

FunMay Friday: #30--Thank You for #MaroonMay's Sucess

Well, everyone. Maroon May is coming to a close for 2015, and another year is in the books.
This year has had a huge year for posts: From my review of Saturday Night Live 40 and the first and final nights of The Late Show of David Letterman, to the many Short/Long Song Reviews and 1 Season Wonders I've offered to my review of the Billboard Music Awards, along with my Surprise Reviews and editions of Funday Friday, this month was chock full of them. But what made this event special was because of all of you coming out to read all of what I released. The fact that you all came amy month was great, but during this month was super great. And the surprise turnout was mind-blowing. Especially for my Surprise Reviews. Even the co-creator of one of the shows read the review and thanked me for it.

I'm very grateful for your showing, making this one of the viewed months in the history of this blog. Thank you for your continued turnout, and I hope you all continue to join me in the months yo come, where there'll be more reviews, posts and Funday Friday editions yo write. And then mess up.
Thank you.

Thursday, May 28, 2015

America's Got Talent X Weekly Review: Auditions--Ep. 1--The Kids Can Handle It, Ira Cannot



Hey, everyone. If you’ve been waiting all year for the show of the Summer to return, you’re in luck as the wait is over. My review of America’s Got Talent is back!! Oh, and the show itself is back too. I couldn’t wait to start watching along with you and giving my thoughts of the Live Shows, that I decided to make a bold move and begin my Reviews at the very beginning.. That’s right, from here on out, I’m starting my Reviews from the auditions stage. Where the performers (singers, dancers, magicians, comedians, impressionists and a few more) make their beginnings (and in a few cases, ends too). So let’s get started!

For this certain review, I’ll be discussing some of my favorites from the Season 10 premiere, along with some Random Thoughts of things I saw during the show and thoughts on some of the Terrible acts. Plus I may talk about Nick’s suit game, Howie’s antics, Howard’s antics, Mel’s British goofiness and Heidi’s hot flighty accent. Let’s see what America’s got to offer this time around.


The first act of the season are Elin & Noah, super cute 7 and 8-year-old kids from Nashville who are there to dance and Handle Howard's criticism. To MC Hammer's immortal “Can’t Touch This”, they already impressed the crowd with their skills. And with me, I think they’re worthy enough to make it to Vegas. Their Hammer-Walk was infectious. Even more so when Nick joined in.

(apologies for misspelling her name. I’m sure she can Handle It.)

Triple Threat (Careb Conrad, Will Richie & Tyler Davis, all 21) from Benton, AK, serenaded the crowd with a rendition of--well, a song I'm not aware of at the moment. My God, wow. That was impressive. The guys’ voices are really nice; it’s like listening to an acapella group, but with music still playing. And Tyler’s rap solo was freakin’ dope! Their performances synced like chains on a bike, and they impressed me immediately.

Indeed.

In case you haven’t noticed, Howie is a bit of a germaphobe. He can’t stand people touching him. Which is where hypnotist Chris from West Side Chicago comes in. He’s going to hypnotize him and try to destroy his fear of germs.
Unfortunately, the network prohibits the producers from showing the bit. But take my word for it--it worked.
Doesn’t matter, I was a little bored with the thing, and I assume Howie was too, since he buzzed Jones. Then when all is said and done, Howie starts shaking his hands. That was impressive.

Showproject is a collective of four gymnasts in their 20s. They’re auditioning with their skills...and apparently, their hotness, too.
From the moment the guys took off their shirts, the female judges and female members of the audience were already hooked onto them. They don’t need to do anything; they’re going anyway! But fortunately for the rest of us, they did something anyway that impressed us.
Their skills are just breathtaking. The tricks and flips amazed me. And their strength and timing blew me. Wowzers indeed, Melanie.

Next was Johnny Shelton, originally from Nashville and now residing in Tampa, singing an original song dedicated to his baby son.
That already would put him on my list to put in the finals, but his song was a very lovely guitar-laden ditty that could make anyone vulnerable, but will be picked up from the spoken-word second verse. It sure did got me feeling that way. I wish him all the best this season, and in life.

And finally, Piff the Magic Dragon. I could stop there and tell you that’s awesome on its own, but I need to give you what he does. He’s a dragon that does magic. Now can I stop?
Seriously, he’s hilarious, and his corny, smarmy British humor between tricks is delicious. This is an act I’d want to see at the Live Shows. And maybe even Vegas. I don’t know he has that talent I’d want to see more than once in my life.

People I Would Like to See Again For a Little While:
Ira, a 32-year-old puppet that is excited to see Mel. That’s it. He and his mother (who lives with him), come to the auditions to sing. Actually, he’s gonna sing to Mel. And she's flatted (creeped out)/
When I saw Mel’s face, it was priceless. Ira has a really nice voice and he’s, but I think the concept would wear thin soon, unless the guy behind him has other ideas. I just hope his love for Mel won’t turn into an “Animals”-type situation.

Random Thoughts:
-This season, Dunkin Donuts replaced Snapple as the official sponsor of the show. Who honestly thought it was best to replace Iced Tea with Coffee (or whatever drink they’re hiding in them cups)?
-How Ironic that a group named Triple Threat met on a football field after being injured together.
-Elin & Noah can Handle It! That oughta be a catchphrase. Like Arnold Jackson has “Whatchu Talkin Bout?” and Michelle Tanner has “You Got It, Dude!”, these guys should have this as theirs for how cute they said it.
-Seriously ”a puppet having a stalker-like crush on a British former-girl-group-singer turned competition-show-judge” WILL turn old fast.

Nick’s Suit Scussion:
It’s clear that Nick was probably dared to wear colorful suits that emulate the colors of the NBC logo. Just look at them and tell me you can’t see that. I DEFY YOU. Fortunately, there will be more of that, so this mini-segment will be held off until the Live Shows (and maybe Vegas shows, too) because this would be too corny to be considered funny every time he wears more than one suit.

Well, that was the start of what has to be one beautiful relationship. (Sorry, Ira. Yours isn’t happening. Yet.) I can’t wait to see what this season will bring: more antics and weird talk from the judges, more flagrant and fabulous suit game from Nick, whatever celebrity judges will only appear once (and possibly promote a show on the Peacock) and more amazing and mind- blowing talent waiting to be discovered and praised to come. And of course, I’ll be there to record my account of which I loved and which I...kinda liked, but wish I didn’t see again.

Tune in next week--same time(s), same website. Goodnight!

Tuesday, May 26, 2015

EDREWtorial: 19 Charges &Counting: Josh Duggar Molestation Scandal (#MaroonMay)


The Duggar family is in one Hell of a scandal.
Josh Duggar, the eldest son of Jim Bob & Michelle, has revealed that when he was a teenager, he committed sexual assault on several female minors. In this report by the Springdale Police Department, it reveals that Duggar fondled most of the females in their sleep. Also in the report, an anonymous caller revealed to the Arkansas State Police child abuse hotline in December 2006 that several minor members of the Duggar family were “fondled” by another minor, who was indeed Josh.

The oldest Duggar son later apologized in a statement on the family's official Facebook page. Here's an excerpt from Josh himself (I guess, I'm kinda sure the post was written in one sitting):
Twelve years ago, as a young teenager I acted inexcusably for which I am extremely sorry and deeply regret. I hurt others, including my family and close friends. I confessed this to my parents who took several steps to help me address the situation. We spoke with the authorities where I confessed my wrongdoing and my parents arranged for me and those affected by my actions to receive counseling. I understood that if I continued down this wrong road that I would end up ruining my life. I sought forgiveness from those I had wronged and asked Christ to forgive me and come into my life. I would do anything to go back to those teen years and take different actions. In my life today, I am so very thankful for God’s grace, mercy and redemption.
Several steps, my ass. It's clear the several steps they have done is shut him up, kept him quiet, ignored his words and felt embarrassed, now realizing that their Christian values and clean image are now withering away thanks to their son's admission, making them look like hypocrites.

Many people would chime in with their responses, including former talk show host Montel Williams (Remember him? He was really good.) who blasted Duggar on Twiter with these tweets (one of which is a verse from the Bible).




Actor Ryan Reynolds also ripped Duggar apart with this tweet

linking an article on Avocate.com featuring LGBT advocate Dan Savage.
"http://www.advocate.com/politics/2015/05/23/dan-savage-calls-out-duggars-staggering-family-values-hypocrisy#.VWIfSKXz0ME.facebook"
Here's video from the article of Savage's appearance on MSNBC's All In with Chris Hayes:



This...is just disgusting and insane.
Molestation is disgusting. Especially if it's of people living in your own house--family or otherwise. And for the parents to cover it up like a a year after the fact, it is just horrible, and a complete stark contrast on their good Christian values. If a member of my family molested someone else (whether another family member, a friend, godchild, whatever) (God forbid) and we learned about it later, my parent would've called the cops in a heartbeat, and that creep would go to jail for a long time, and we would never consider them family again.
And throw in the fact police didn't do shit to go forward with a case just proves that Southern white people and wasting away crimes involving one another go together Bible-toting hand in belt-grabbing hand. They destroyed the evidence and acted as if it never happened, which is why police can't be trusted sometimes.

What is also disgusting is that people are defending the family; Josh for the alleged crimes, and the parents for the cover-up. They believe that deep down, despite the ungodly thing Josh did and things his parents did to protect him and themselves from it, they're still a model family with wonderful values and deserve to be treated with decency and respect, with everyone else accepting their forgiveness for their selfish actions. Who the hell do you people think you are?! What is it about them that you find so great, that you would defend them for this type of thing?
I'm all for forgiveness and I believe in God, but at the end of the day, someone committed something heinous, and you shouldn't even think about trying to stand by that someone for this. Defending them in public makes you look sick. You think I should forgive them? Hell, no! They didn't do anything to me! And I don't fucking care what they're trying to do to settle everything! So why should I forgive them for something they did to people in their own family or extended circle?? They should ask them for forgiveness. He ruined their childhoods by sexually assaulting them, and now that these allegations (which shouldn't be called that by now because of the confirmations) have come to light, you want us to ask for repentance for our disgust and shame. The only people who should repent are you for being embarrassingly ignorant. Same with the Duggars for their actions. They wanted the public spotlight? Now they must pay the price.

And there is irony and hypocrisy going on here.
This guy, a founder and member of the Family Research Council, a non-profit dedicated to protecting family values and condemning the LGBT community, and is himself supposedly a crusader of family values and is obviously homophobic is doing something no family would ever do. That is sad as I don't know what.

What makes this so banal as well, is the thought that they may have committed this cover-up to protect their Christian family empire and their reality show 19 Kids &Counting, hoping that this will go away and still become one of the most popular stars on a TLC show. I'm trying to wrap my brain around this. And I can't; and it's best to say that it's a good thing.

Putting your reality show over your own children and their well-being is a revolting thing. But I bet you already know that.

At least the execs at TLC have enough brains to realize, as it was announced last week that it has cancelled 19 Kids effective immediately, and ending our close contact with the family with the wholesome Christian values and long line of children big enough to make their own colony, and all that bullcrap. In my honest opinion, I've only watched a few episodes of this show, and I think, while they're not a bad family, the 19 kids thing they have going on is obnoxious, strange and sad. I only see their large breed of children as a means of attention, and now that they got a TLC series (along with specials on it and the now-defunct Discovery Health Channel and their frequent appearances on The Today Show) because of this, it was clear from the start that TLC wanted to give them a show because of the living, breathing results of their possibly huge and burning sex life (Hey, if it worked for Jon & Kate Gosselin, it can work for anybody ;-)). I really couldn't care less if I tried for these people, and now that this scandal has come to light, I'm glad I didn't.
This was a good decision. It was clear that TLC cancelled 19 Kids to save their ass, and I fully don't blame them. Like me wanting nothing to do with them at all, they wanted nothing to do with the Duggars anymore, because of the horrible allegations and police reports, and the nonsense that came from them, and I applaud them for it. I haven't watched TLC in years (and it's clear I won't it at all after this), but I would if they stopped the reality bullshit that clogging up the schedule, and keep on some decent programs and the programs that made it famous and beloved in the 90s and early 2000s (probably until the end of the "Life Unscripted" era).

And if that doesn't get any more nonsensical from here, someone from another TLC show that got cancelled because of a shocking molestation scandal decided to insert herself into this situation. Mama June Shannon from Here Comes Honey Boo-Boo decided upon herself to discuss her opinion on the scandal, by just bitching and moaning on about how TLC cancelled her show, believing they treated the Shannon family like crap while the Duggars were their favorite family, that they deserve her wrath for it, and wants Honey Boo-Boo revived. Here are some tweets I found in this article on UsMagazine.com:


Here's the thing I learned from this. It seems that Mama June has put a reality show over her own children and their well-being, and wants to sue TLC for keeping 19 Kids on while keeping Honey Boo-Boo off, without realizing that she's the reason all this shit happened in the first place! My God...
When will this fat, stupid bitch realize that no one cares about her or what she has to say anymore, and that everything that comes out of her mouth will make her look even more stupid and desperate for attention? Nothing she'll say now will not change the realization that a fuckin' convicted sex offender fucking molested her oldest daughter!! FUCK!

June, is your complete redneck-y hillbilly-ish Cleveland Steamer shitfest of a show this important to you? Are you that desperate to protest TLC's decision to cut it off? So much so, that you're willing to insert yourself into a horrible scandal involving another TLC family rocked by molestation allegations and charges, with the parents being accused of being trapped in their happy little world and not doing enough to bring the captor to justice? Are you at least well-aware that your ex-con ex-boyfriend fucking molested your eldest child?!?! Because as far as I can tell, you need a trip to an asylum if you even believe that a reality show featuring your daughter farting around, eating food that could give her 3 diabetes shocks a day and spouting gibberish of her beloved time on Toddlers & Tiaras and you doing the same damn things is much better than the safety, love, sanity and well-being of your entire family (well, except for Alana; you care for her as she has the million-dollar face and the billion-dollar incompetence).
June, you have no right to talk in this situation. This is not about you. You are a fucking hypocrite. Sit your gargantuan ass down. You mean nothing to us now.
I'll just quote the evil, great Frank Underwood:

"Nobody can hear you.
Nobody cares about you.
Nothing will come of this".

You know what I don't care. Child services needs to take your children away from you, as you are a walking death threat and dunce to your family.

Josh Duggar, what you've done was more than wrong. It was reprehensible, vile, sickening and illogical. 14-years-old, 29-years-old, 59-years-old, whatever! No matter what age you are, You knew inappropriately fondling children is wrong, and yet you did it anyway. You should've gone to jail for long time. Your reality show deserves to be cancelled, and if TLC ever does the brainless decision to revive it, you should keep yourself away from the cameras. God does forgive, but if molestation was a sin, and God didn't forgive you, your ass would've burned in Hell the second you die.

Sunday, May 24, 2015

Toony Tuesday 2015: Penn Zero: Part-Time Hero (323rd) (#MaroonMay)

Hey, everyone.
You’re probably expecting another one of these, were you? Good. Anyway...

Let me tell you something, brother(s) (and sisters)!
Penn Zero: Part-Time Hero is Awesome!
I mean, never in a long time have I thoroughly enjoyed a cartoon from start to finish. I can remember a few times I have recently, but this is a different case. When I mean by this, I mean from the theme song to the first half, to the second half to the credits. I can’t remember the last time this has happened in a cartoon, and after this show, I don’t think I can again.

Penn Zero: Part-Time Hero, created by Jared Bush and Sam Levine, centers Penn Zero -- a kid who, while his parents are stuck in another dimension, winds up taking the reigns as a part-time superhero to stop enemies from destroying other dimensions. His friends, Boone and Sashi, are also Part-Time Heroes and join Penn on the adventures as Wiseman and Sidekick. Together they use their abilities in these dimensions to stop the evil Rippen, who is also in the strange industry as a part-time Villain, taking the reigns over the bad guys who can’t destroy the dimension they planned on (and is also the kids’ art teacher at their school), along with his sidekick Larry (who is not only also the school principal, but is also pretty bad at what he does as a evil sidekick). In these worlds, Hero, Wiseman and Sidekick face off against Villain and Bad Sidekick in whatever they’re assigned, and while they’re in a fight for dominance and victor of the day, we’re treated a display of cathartic comedy, awesome action, and occasional moments of harmless heartwarming.

Here’s the story of how I first watched this series (oh, and if you want, you can skip this crap if you want to get the good stuff):
One Saturday in May, I was at home, bored and hot. Then my sister calls me and asks if I could watch her children for her while she went off on personal errands. So for the day, I was in the living room (aka watching TV and screwing around on the laptop like a bad millennial would) while the little ones were in their room playing with their tablets. Suddenly, a recording was scheduled on the DVR for a cartoon entitled Penn Zero: Part-Time Hero.
(Back then, outside of my knowledge of the title, I’ve never had any thought of this series; no interest at all. Not after reading tweets on the Twitter TL. Not after reading discussions on it. Not even after reading an article on TheFutonCritic.com about it being renewed for a second season! Nothing came to me telling me to watch)
I was close to cancelling the recording to watch whatever I was already watching, but then decided to keep it, because whoever recorded it wanted to watch it very much. I’m so glad I did, because now I’ve become a fan, and has watched every episode so far a few times before the next batch comes in.

Today, for this review, I’ll be talking a bit about that first episode I’ve ever watched:
"Defending the Earth" and "Number One, Number Two"--the seventh episode of Season 1. And let me just say, I’ve never been excited to review for a show before. That’s right, more than Saturday Night Live, more than Over the Garden Wall, and even more than Star vs. the Forces of Evil. Which is very surprising, because I’ve been ecstatic to share my thoughts on these shows for quite a while now, and before this series came around, I was perfectly enjoying the very short number of shows I’ve been reviewing on this blog, but now, I’m more excited than usual. So, Let’s get started, because I had so much to discuss before I forget.

And now: my review of the episodes.
What I’ve enjoyed the most about “Defending the Earth” is mostly from Boone:
After his reveal that he has stage fright, Boone finds the courage from his friends in danger (as in Penn and Sashi being repeatedly smacked around by the small alien creature) and pictures part of the crowd in their underwear (in particular, the host), and gives his (super-duper amazing, by the way) rebuttal in front of the studio audience and billions of viewers watching on TV, all while doing a very awesome interpretive dance number. This would win over everyone (it won me over so much, I tried to do the dance. I failed).
That’s not to say I didn’t think the rest of the episode was great. There were other parts I also really enjoyed:
--At the start, after the “beam-in” (or whatever you can call it) from the Multi-Universe Transprojector (which, on its own, is awesome), President Penn wants to goof off on the Presidential Phone. Sashi says no. So instead Penn goofs off with the Presidential...pen. (Honestly, I found it a little pretentious, but it was still funny enough.)
--President Penn, Justice Boone and General Sashi are being attacked by the Alien Rippen and his alien army. The dialogue from the kids finding ways to stop them was hilarious.

--”I’m friends with one of the contestants.” -Larry
“NO HE’S NOT!!” -Rippen
--The challenges that Alien Rippen and Justice Boone go through.
--The part with Justice Boone talking with the talking imaginary underwear. It’s the voice of the latter that kills me every time.
--Bruce Vilanch

--Also, the ending, where everyone comes together and waves to the camera like the end of an episode of Saturday Night Live.
--And Phyllis. She works at and maintains the dimensional gate at the Odyssey, an old, dilapidated movie theater the kids go to clock in for their super shifts. She's voiced by co-creator Sam Levine, and she's hilarious. I mean, she's serious most of the time, but her voice and actions are what make her so great. She doesn't appear much in this episode, though, but when you watch this series more, you'll find her as more of a laugh riot every time she's on screen. Given she's the opposite of a riot, that makes it even better.

And what I love about “Number One, Number Two” is that this is the first episode that starts with the Part-Time Villains instead of the Part-Time Heroes (who appear later); and from their point of view, we learn a little bit more about them--as in, despite Larry’s incompetence as a bad guy, Rippen realizes Larry’s loyalty and care, and this makes them good friends (although it would take Rippen to die for him to admit that). And they even hug at the end. (Awww) Larry may be--no, is--a little incompetent and...a little too close, but he really is a kind, caring, and very loyal guy and is a great friend to have. (That is when you get past his...quirks.)
Also, like the heroes, the villains get their own place with a Multi-Universe Transprojector, too.
Other parts I really liked were:
--Rippen finding a photo of himself in high school. Looking gnarly there!
--Penn trash-talking with himself. (and hitting tree trunks while making the round trips)
Also, his attempt at a British accent. It was so hilariously grating, I could just take a block of cheese to the TV screen, and it can do the work for me.
--The reveal at the climax that the part of the place they were in the episode was just a set thanks to Boone and Sashi’s work.
--Sashi trying to banter with Rippen. Actually, any time Sashi turns into a rage-filled monster. Am I wrong for laughing at her wrath upon everyone else?
--Phil. (He doesn’t say a word here, but his reaction makes me laugh)

I’m honestly so happy that this episode was the very first I watched. There were so many wonderful moments I loved and enjoyed, but the moments I mentioned stood out as the ultimate favorites. These moments left a lasting impression. Makes me happy I went through all the crap I went through that day to watch the episode. If I hadn’t, I would’ve missed out on another series I could’ve loved but was too lazy to check out. This show is a breath of fresh air that just comes at you with every passing minute, and that fresh air stays with you until the end of the end credits.

And now, let me get into the concept:
The concept of the series is just...so very imaginative.
Kids taking part-time jobs as superheroes in different dimensions saving the day from an evil-doer who also has a part-time job as said evil doer. Not only do they mold that concept into whatever they want, they throw in these really nice worlds, heroes they play and shout-outs in, that it makes you wonder if they’ve ever suffered brain damage from constant flashes of brilliant creativity. From watching the series after the fact, it’s cool seeing how well this concept is put together and put in and where the creators and other producers take it so far. You can actually tell and even feel how much work and effort they’ve put into it.

And speaking of work and effort…
let me, just for a second, mention that all five main characters have some of the coolest names I’ve ever seen in a modern-day cartoon. All of their names are so awesome, yet sophisticated as heck, you can’t help but think that the creators may have put in so much time and effort into them alone. To say otherwise makes me a darn liar.
Penn Zero has to be ironic, because he’s not a zero, he’s a ten. To be a kid that saves a different dimension on a daily basis, and yet end up with a last name like that, is the most ironic thing ever. And that’s what makes it cooler.
Boone seems like a goofy sidekick with bit of spaciness, but his name suggests he’s a international spy with a bit of kick-butt in him. And he can can hit it off with foreign chicks every movie.
Rippen is the perfect name for a villain in an R-rated psychological thriller movie everyone wanted to see, and enjoyed a lot.
Larry...well, it is a cool name anyway...and I thought I’d add his name as in I be a horrible person if I didn’t, and then leave him an odd man out.
And Sashi’s a awesome name, period.

Something I also want to mention is the run-time. Of course, each episode features two 11-minute shorts. But the shorts themselves are something interesting to me--they go by quick! Besides the obvious (DUH), there’s this mentality about it. And to explain it more easily, I read this blog post about Star vs. the Forces of Evil by this guy I know on Facebook a while ago and a part of it explains the run-time works to the show’s advantage. The story comes in quick, the episode wastes little time getting to it, the plot draws out well, and it ends perfectly.
That’s what I gotten from this series too, and the quick-yet-efficient-and-great story and plot method works here too. And it’s astonishing. Seeing the episode start, continue, and end quick while feeling like it’s still continuing on is wonderful and even cathartic at times.
This especially when I watched another episode after this one later in the day, “The Princess Most Fair” & “Hail Larry”. I honestly thought that “Princess” would be a two-parter, since the ending felt like a sequel hook, and was saddened to learned otherwise when “Hail” first appeared on my screen (Not to say it wasn’t good, not at all). But I honestly enjoyed this production element of this series, and I think that it’s a thumbs up from me to the producers.

Next the theme song. Wow, have I never loved a theme song like this one! This is an expository theme spoken (not sung, spoken) by Penn himself about his part-time superhero job, what he does during said job (some of which are plots from episodes we've seen already) and with his friends, he's fighting evil his his way and no evil-doers will stop him. To say how awesome the theme is by how it's a spoken-word piece is an understatement. Also, the animation is awesome. To see this every time an episode starts, brings you a reminder of what amazing-ness we're in for. I applaud the animators for making this, along with the episodes itself.

And one last thing for me to rave more than I should about: the voice acting. My Gosh, I’ve never felt so happy to watch a cartoon these days and feel more ecstatic from the voices of the characters than of their actions. And it all starts with Penn, who is voiced by Thomas Middetitch, who really gives his all to this character (and then some), and I can tell he’s pretty much having fun doing so. He just adds oomph, charisma and excitement to every other sentence Penn speaks and just pulls me in every time, and I just enjoy it every time. I’ll also give credit to Adam DeVine and Tania Gunadi for their work as Boone and Shahi. It’s pretty clear that these two know what their characters are, and that they put in a lot of charm, wit, and style into their voices, and it’s clear that they have some fun with it as well. I can really sense (and in one case, even taste) a perfect amount of chemistry between these three, and it just shines through. Also, when I read online that Alfred Molina and Larry Wilmore were voicing Rippen and Larry...I just blacked out for a bit. I mean...if you noticed that Alfred Molina and Larry Wilmore are voicing characters in a TV series (especially TOGETHER!!)...you know you’re in for a fantastic experience.
I’m sorry for gushing on at this point, but could you blame me? Never in my life have I ever been blown away by a cast of an animated series before (OTGW doesn’t count, as it’s a miniseries) from the start. I can actually tell (and even feel) the chemistry from all of them, and they’re having a good time taking part in this. I’ve heard of this a lot before, but here, I can actually believe it. I can actually honestly believe that the cast is enjoying themselves when recording their lines.

And for a minute, I must discuss the guest casting.
My. God. When I looked at the article on Wikipedia, I was surprised by the list of actors that appeared in these episodes:
Henry Winkler
Beau Bridges
Elizabeth Henstridge (from Agents of SHIELD)
Adam West
Diana Rigg (from The Avengers[??]; no not the movie, but the TV series from the 1960s)
Garry Marshall
Bruce Villanch
Lauren Tom
Chris Parnell
George Takei
I mean...that’s just fucking awesome.
Whoever had the talent to secure this group of amazing actors for this show for just the first ten episodes alone(!!) needs a pat on the back and a handshake...and an Emmy...and an Annie...and whatever other awards with a female name pertaining to animation.-(Gracie?)

I’m glad I’ve discovered the series this early, because this is a very lighthearted, wonderful and awesome take on the superhero genre of TV and film. Instead of one superhero doing his one job, these kids are doing the job of any superhero ever under the guise of doing this like they’re working a summer shift at a fast-food restaurant (and speaking of which, they actually do get to do that in "Brainsburgerz", which is a really cool take on Dawn of the Living Dead). I’m so happy that it got renewed for a second season, and I hope this series lasts long (as in as long as Bush and Levine want it to be. Because that’s the cool plan, now.), because this right here continues Disney Television Animation’s long bank roll of series that are so good in every way and deserve the praise it gets (This along with Phineas and Ferb, Gravity Falls, Wander Over Yonder and Star vs. The Forces of Evil; along other shows I haven’t watched yet like Randy Cunningham: 9th Grade Ninja and Star Wars: Rebels, which I also should watch sometime). Disney XD has become a different network because of its focus on the animated shows, and it really seems to be working. And it's with these shows that I think give it a resurgence of relevance and praise to me.

In the end, Penn Zero: Part-Time Hero is the best. Congrats to the cast and crew for...well, everything.
Good night, everybody.

Saturday, May 23, 2015

Short/Long Song Review: Style (#MaroonMay)


Hey guys. Welcome to another Short/Long Song Review.
Today I’m reviewing another Taylor Swift song! (yay.) This time it’s “Style”, one of the singles from 1989 I like from the first time I heard it. And that’s mostly a testament to the bombdiggity beat, which is following the concept the album is following: beats of genres most popular in the 80s. And it works to the singles’ advantage. So let’s see what this song is all about.



The song is about Taylor falling in love with a guy who is having thoughts of a relationship with another girl, with Taylor herself revealing that she has the same for another guy. At least that’s what I could decipher from the lyrics. And read from the Wikipedia article.

And speaking of the lyrics, they do have creativity, but to me, they feel pretty dull than other songs (in a level, higher than “Shake it Off” and slightly than “Out of The Woods”, but lower than “Blank Space”), and don’t have much substance like her last single “Blank Space”, which for the record, in case you Swifties out there still hate me for right now, I love...more than hate (it’s more 85% Love/15% Hate; only the concept is what I hate). I mean, they are very catchy, and I will be singing them every other time I listen, but they don’t pack as much punch as a TSwift song would usually have (most of the time). Plus they’re light, sweet and peppy, like sound like something you’d hear more on Radio Disney. Heck, I bet it’s playing on it right now.

And another thing, it’s like I think of something else when I hear them. And they sound familiar. Just read the chorus as I copy-and-pasted them from a lyric website:
“You got that James Dean daydream look in your eye”
You mean like this?:

“And I got that red lip classic thing that you like”
Does this count?:

“And when we go crashing down,
we come back every time”


“We never go out of style!” (x2)
Eureka! Futurama! She’s a Futurama fan!
You know what? This all makes sense now! Maybe she was watching an episode of Futurama and got inspired from Fry and Leela’s romantic relationship, and got down to writing immediately. It all makes sense now.
Okay, it’s clear that didn’t happen. Futurama started off in 1999, and not any time in the 1980’s. Plus, no cars in the 31st century have wheels. And that’s Taylor Swift I’m talking about; she writes her own experiences, she doesn’t go the Beyonce route of “getting inspired” aka jacking ideas from other people. And yes, I was thinking of Fry when I heard “James Dean daydream”.

Oh and another thing...
"Just take me hooome!"
That sounds like the title line in the chorus of "Out of the Woods". I think you can tell what that would sound like from there. That's a pet peeve I have here, but not to a huge extant. I can ignore this at times.

Musically, however, is where the strengths come in full force.
The 80’s-pop rock-inspired beat is absolutely fantastic, and is one of the strongest compositions I’ve heard from this album, and maybe even Swift’s discography so far. The use of keyboards and guitars (including one called a “funkalicious” guitar [NICE]) for this track just blows me away every time I hear it. It really does sound like something you would hear in a Kenny Loggins or Hall & Oates or Paul McCartney or The Cars song. These producers really know how to make it that way and I applaud them for it.

Another thing I’d like to point out is this:
Many people have realized that this song sounds very similar to “Jealous” by Nick Jonas--mostly in production. Here’s a video from YouTuber The DoubleAgent that came out in February that shows a mash-up of both songs (Jealous’ music and the lyrics of Style).

(This is a really good mash)
And from reading comments online, it’s said that some people really don’t like "Jealous" while others hate “Style”. And many can’t stand both. In my opinion, I like both songs. They’re both catchy, amazingly composed and sweetly-written songs, and I respect some of their opinions (Keyword: Some--because a lot of them are irritatingly misspelled and maniacal).

So in the end, I like and enjoy this song. It’s really fun to hear, the lyrics are catchy and creative (to a point), Taylor’s vocals are really nice and the beat is awesome. I find this one of the better songs on 1989 and I can find myself listening to this any time of any day. I’m glad I’m a Swiftie now.

Thanks for joining me for another Short/Long Song Review. And I’ll see you...whenever. Until then, I’m gonna try to accept being in a fanbase with a really basic name. Hey, at least it’s not “Beliebers”.

S/LSR: No Type & Throw Sum Mo (#MaroonMay)


Welcome to Short/Long Music Review.
Today I'm reviewing two songs by Rae Sremmurd. They're a rap duo. That's all you need to know. Both of these songs may be complete utter shit, but that would be an insult to complete utter shit. If you're noticing how short this is, it's because I wanted to get through this as quick as I could so I get on with my life.
So let's get this over with.

Up first, here is “No Type”.


Let’s start with the chorus, which is filled with unintentional self-made contradictions that they’re happy some people (except me ).
“I ain’t got No Type...(nah).../Bad bitches is the only thing I like”
--That actually means you DO have a type, you idiot.
“You ain’t got no life”
This line pisses me off HARD. These guys are a rap duo putting out wack-ass music, with shitty writing and boring-ass, autopilot beats with the same tired concept of “partying, fucking, and blowing off money like water”. That pretty much tells that they don’t have much of a better life than anyone else. Hell, if they told this to someone like a teacher or doctor or police officer or construction worker, they’d get screwed off immediately; at least these people have honorable lives with meaningful jobs and great benefits. This may have money, but it's just nothing emotionally. Anyone doing this over and over in their lives will get bored and do other things to try to get back on track.
Also, this not only painfully contradicts “No Flex Zone”, the song in which they claim to not be like the dickheads who show off to get chicks, when it’s super obvious that’s not true, but also contradicts ITSELF. The first line is immediately unequal to the second line! That’s how dumb this song is!

It’s sad enough that the chorus of a song is contradicted by the lyrics of the same damn song, but how stupid can you get to write two fucking lyrics that don’t connect the same goddamn message!?! Did you even proofread them. I sometimes don't proofread my own posts but I at least have understandable content to write.

OOOHH, you buy stuff, you go to parties, you bang chicks. Again, that’s not much of a life for you, especially if you’re bragging.

So, of course this song is shit. Stupid, boring, nonsensical shit. Just like their later single “Throw Sum Mo’” featuring Nicki Minaj and Young Thug.
You would think it’s actually about helping the community by picking up trash from parks and fixing up driving signs, but no...it’s exactly what you think.



“Ass fat, yeah I know
You just got cash, blow some mo'
Blow sum mo', blow sum mo'
The more you spend it, the faster it go”
--Nope. No comment. Other than “it’s obvious”

Let’s see what one of the the members (I don't care which or the name) has to say that's not a grand statement on the current state of Earth or the cycle of Animal wildlife...or peaches.
"Hi, bye hater, I flood the club with paper
Shorty got an ass some for now and some for later, (delicious)
"
--Thank goodness I don’t eat Now-and-Laters anymore, because that’s fucking gross.
“Somethin’ like Nicki’s, dancin’ like Maliah
How I'm throwing all this money, I’ma fuck around and buy her”
Haha. Because it’s cool for young men to BUY women as personal strippers. I’m sorry, I just find it creepy. Could you blame me? Oh and, if President Obama heard this, I bet he would've sent the Secret Service to find and break him off.
After this, I'm not gonna try to finish his verse.

Let's see what the other one has to
“Is that your hoe, if so, I’ma get her before the nights over”
--Sigh.
“DJ playin' my shit so I'm finna crank up off in the VIP zone”
--Ahh. There’s nothing more narcissistic than mentioning yourself or your music in your songs. Tells how grossly different rap has become now. Also, doesn’t anyone say “gonna” anymore?

I’m gonna stop here because after another round of the chorus is a lyric by Young Thug. Yeah, I’m not wasting my time with that dogshit. And his lyrics too.

Okay. So...this song is so corny and bland, it’s too hard to think up even a decent joke for it. It just feels like a stripper song that even Juicy J could decline. At least he has a certain personality to them. And you know’s Juicy J’s motto: “Stippers blowing cash are my thang”--at least I think it is, because his face is usually shoved up a stripper’s ass every other night, that it might actually be “She perfect, let me throw some, and she’ll be mine for night”. And you know you’ve got a problem when Nicki Minaj’s chorus is the best part. Even if all it is is the same shit as everything else.

And that’s it. Rae Sremmurd is a shit rap duo, and all of their songs are mindless, contradicting excuses of audio. I could see why they became a big hit in rap: anyone in the demo will fall in love with anything they hear on the radio and consider it “their jam” or “their shit” or whatever lingo they call it at the minute. But what I don’t see is how songs like this end up hits. It’s like the record execs got tired of actually putting effort into songs and just find a beat that's not used (or finished) at the moment and write whatever lyrics are there at the moment. And not that rap and hip-hop is based on that mentality, I'm so fucking glad I don't wast my time around this cat vomit anymore. And since these guys (famous for a line in which they take their small amount of money into buying a fucking island) will be here for a long time, I have a great reason why.
I don’t see Rae Sremmurd lasting as a hip-hop duo any longer and when the day that it comes, I will be more happier than I was when the Phillies won the 2008 World Series.
See you all later.

Friday, May 22, 2015

FunMay Friday: #29--Late Night Hosts Honor David Letterman (#MaroonMay)

Last FunMay Friday, I swear!

David Letterman has left late night television. So of course, his spiritual successors have dedicated their time on their late-night shows to honor his legacy and in tribute to him.

Jon Stewart gave his respects on The Daily Show by mentioning his joy of watching Letterman's complete 180 on the talk show format, and mentions Dave's appearance in his short-lived eponymous talk show in the 90s, which Dave made turned a sad moment of failure into a happy moment of reflection and celebration. He later showed the clip during his "Moment of Zen" segment.

Also, Stewart mentions that The Daily Show would be in hiatus during the final week of Letterman's Late Show. Now that's rad respect to him and the producers taking one of the few times outside holidays to air a hiatus.

Jimmy Kimmel, who, when you watch the video below, has to be the biggest Letter-head (meaning Letterman fan) in the group, told us on Jimmy Kimmel Live! the story of watching Late Night when he was a kid, and later basing his childhood around it (even having a birthday cake shaped like a vanity plate bearing the show's name and gotten a plate for his car). He later got emotional praising Letterman. It's sweet, endearing and funny, and redeemed himself in my eyes.

Also, Kimmel did one of the best things he ever did in my eyes: he postponed a night of his show so that we can watch Dave's final Late Show. I'm not the biggest fan of his (or even a big fan) or JKL!, but I can say that I respect him very much thanks to this wonderful gesture.

Meanwhile, at his old stomping ground at NBC, both hosts of the network's red-eye shows (including the one he created) dedicated a segment to Dave.
On The Tonight Show, host Jimmy Fallon (Another Letter-head) mentioned that as a kid, he would stay up and watch Late Night, just like all the other kids. It's just as cathartic.

And on Late Night with Seth Meyers, the open wasn't the usual, but a modern-day recreation of the original open of the show during Letterman's tenure. It's amazing and awesome.
Here's the original

and here's Meyers' recreation.

It's just almost uncanny. And yet just awesome.

And his Late Night successor Conan O'Brien penned something of a love letter to him in an article on the website of Entertainment Weekly. Here's an except of it:
"Like every comedian of my era, I watched Dave’s subversive, untamed morning show with delightful incredulity. The show didn’t last long, but quickly morphed into his late night program—and then Dave was really off to the races. Throughout college, everyone my age watched Dave and discussed his show the next day. The late night talk show had existed at that point for 30 years in more or less one form, but Dave and his writers completely re-invented the format.

Dave’s show was that rare phenomenon: a big, fat show business hit that seemingly despised show business. Dave didn’t belong, and he had no interest in belonging. He amused himself, skewered clueless celebrity guests, and did strange, ironic comedic bits that no one had seen on television before. Everything about that show was surreal and off-kilter. Where late night television had once provided comfort, this man reveled in awkwardness. Cher called him an asshole. Andy Kaufman ran screaming from the set. Chris Elliot lived under the stairs. Throughout one episode the entire show rotated a complete 360 degrees, for no reason whatsoever. By 1985, when I graduated from college and was ready to try my hand as a comedy writer, Late Night with David Letterman had been the Holy Grail for several miraculous years."
The rest is on the website: http://www.ew.com/article/2015/05/01/exclusive-conan-obrien-david-letterman

I just love watching all the hosts doing everything they can to show their respect and love to this man.
These clips and letter are just lovely reasons why these hosts are grateful for the influence that David Letterman has bestowed upon them and that they (like everyone watching him on TV) love him and will miss him re-inventing and pioneering late-night television. Bravo all of them.

Late Show with David Letterman: Final Night Review (#MaroonMay)


The year was 2014:
One of the biggest, most shocking, talked about, Facebook-ed and tweeted-about moments of the year was this: David Letterman announced to his audience, his viewers and the world that he would step down from The Late Show, and retire from late night television a year from now.
That sent shockwaves across social media and news outlets around the world. And in the days before the date before his final show was announced, everyone has been getting nostalgic of his glory days in late night--not only on Late Show, but also on Late Night and even his short-lived eponymous morning show. All of these moments being some of the most memorable, not only in late night television history, but also in American television history. And now that this final episode is in the books, it’s now time to put this one into the annals of both.
So join me as I review the final episode of the Late Show with David Letterman.


The show began with a supercut of former presidents proclaiming the same
“The National Nightmare is Over”. Even President Barack Obama (in a cameo appearance) said the infamous sentence, then retorting “Letterman is Retiring”, with Letterman himself appearing to ask Obama if he’s kidding.
This is a hilarious moment, and a nice last touch of the amazing self-deprecating humor that Letterman has been known and beloved for for over three decades.

And now the final opening, the final opening, which included nice, vibrant, intimate shots of New York City. It’s completely different from the first opening, which of course is from 1993. I love the look and feel of it: Just New York City and what goes on at night, which is really cool.

Letterman comes to his stage on the Ed Sullivan Theater, and was greeted with a wonderful riotous applause, chants of his name, and a great standing ovation that lasted 2 full minutes. It really doesn’t have to show how royal and devoted his fans are to Dave, especially on a day like this. You know they’ll show their appreciation to him this way the second the episode starts. Watching the Standing O was expected, but all the while wonderful, cathartic and heartwarming.


Dave’s monologue was mostly retrospectives into not only his tenure as Late Show host, but also his entire career as a late night talk show host, which also included his tenure as host of NBC’s Late Night.
The jokes included one where he ribbed that he would never get the hosting job at The Tonight Show (you know what I mean), a clip of him sending his staff a “goodbye, farewell message” (It’s just him blowing kisses to them as a hologram) him and Paul beginning a new hosting gig in Vegas with white tigers, and him getting personal about a 21-year-old doing (something).
He also included clips in tribute to him from The Simpsons and Wheel of Fortune:
The former showing a yellow Dave on TV throwing his cue card through the fake window, Homer laughing his dumb ass off, and Marge pointing out the Status Quo that’s been this way for its 26+-year history: Their kids and baby are still kids and a baby (I also love the small tribute with Maggie spelling out Worldwide Pants [Dave’s production company] with her alphabet blocks). And the latter being a self-deprecating snipe at Dave himself in the form of a puzzle, which is “GOOD RIDDANCE TO DAVID LETTERMAN”. That’s just hilariously cruel.
This was a nice, small Monologue and an end to his start of the show that’s a quiet bang to me.


During his final sit down at the desk, he briefly mentions his successor Stephen Colbert, who will take over The Late Show on September 8. This was very sweet and a kind gesture to the next host. I just know Stephen is gonna knock it out the park.

After this, he shows a supercut of him joking around with kids, and getting them to say the Darndest things ever. It was really funny, cute and endearing. All those kids shown are teenagers and adults now, so it’s gotta be super sweet for them to watch their younger selves on the show with Dave, and you’ve gotta imagine the smiles on their faces watching themselves chatting with a crotchety old man making them look like scatterbrained goobers.


It’s time. Time for his final Top 10 List. This list is on the “Things I’ve Always Wanted to Say to Dave”. This list is said by some of Dave’s favorite guests.
Alec Baldwin, Barbara Walters, Steve Martin, Jerry Seinfeld, Jim Carrey, Chris Rock, Julia Louis-Dreyfuss, Peyton Manning, Tina Fey and Bill Murray. Just them showing up made this list segment heartwarming and awesome, but their slots were very funny (a sweet kind of funny).
-”Of all the talk shows, yours is geographically accurate to my home.” -Baldwin
-”Honestly, Dave, I’ve always found you to be a...bit of an over-actor.” -Carrey
-”I’m just glad your show is being given to another white guy!” -Rock
-“Thanks for letting me take part in another hugely disappointing series finale”. -Louis-Dreyfuss (The look on Seinfeld’s face sold it for me.)
-”Thanks for finally proving that men can be funny” -Fey
The List was hilarious and an awesome element to Letterman’s humor and legacy. Everyone did a great job and was hilarious in their own style. Also, the incidental music that played here was awesome; sounds like “Fire” by The Ohio Players in a different key. I should make a ringtone out of it.

Next up, Dave presented a clip from (1996?) in which he became a temporary employee working the drive-thru at a local Taco Bell. You can tell how this goes from there.

Dave’s smarmy, bait-like, irreverent humor and behavior is gut-busting, and the customers’ reactions are just as much, if not more. Here are some of my fave reactions:
-”If you’re Mexican, the meal’s half off.” -Dave
-“Are you Howard Stern?”
-”Now much is it??”-Female Costumer/“It’s $26.80” -Dave
-”Quit f#&%ing with me…!” -Same Female Costumer
-“She’s gone already, chief.”
...just genius.

We are later treated to something special:
Dave shows us a clip of a normal day in his life as host at The Late Show.

Here he’s documented doing his usual things during work hours at Worldwide Pants: talking with staff members, gearing up for taping a show, final preparations and finally taping a show. This was beautiful, and one of my favorite parts of the show. Also, Dave looks cool in a shirt and gym shorts. Just as normal as you and me.

During the returns from commercial breaks, clips are shown from Letterman’s short-lived eponymous morning show. Also, images and bumpers from Late Night and Letterman Show are also shown. This was awesome. Just awesome.




And in his final moment, Dave later mentioned the many messages of well-wishes and support from viewers and fans, along with the executives of CBS who put up with Dave over the years. He also thanked the crew and staff for all their hard work and talent over the years. Everyone behind the camera, and in front, too (including Alan Kalter, Biff Henderson the CBS Orchestra and Paul Shaffer) deserves all the love and praise they can handle, and then some. Some of the best people to put a show together (so Dave can take credit for it all) in TV. Dave also thanked his mother, wife Regina and son Harry for being a major part in his life.
This humbling message from the man in front was sweet and wonderful. I just love it.


Dave’s favorite musical guest Foo Fighters was his last, final, and ultimate guest of all time ever. They performed his favorite song of theirs, “Everlong”. Let me just say in short...that was f#$king awesome . Plus, I know that it shouldn’t matter, but the red lighting in the background was perfect.


After it ended, a long end credit aired, featuring everyone that has worked on his show (at least, those still living and working for him). It was just wonderful and heartwarming and a perfect end to such an amazing late night talk show.

This show was an amazing showcase of riotous hilarity, great interviews and awesome performances. This show was a beautiful American treasure that couldn’t be taken for granted no matter how hard you try. The show was reason why watching TV past my bedtime was worth it all these years. This show will always be a part of my life and everyone else’s lives.

CBS really didn’t take a gamble; their buyout of Dave, the Orchestra and his humor was a blessing in disguise. They gave us more years of watching this God of late night bless us with more iconic moments of wacky, snarky, crazy and (most definitely) hilarity. And it paid off big time. 22 years of moments we’ll never stop laughing at. 22 years of heartbreaking moments to cry over. 22 years of sweet, kind and heartwarming moments to love. And 22 years of moments worth reveling over. We’ll had them all, and we’ll always be grateful for them until the end of time. We’ll never see David as much as we have on the Late Show, but we’ll always have YouTube, Vimeo, DailyMotion, and other video-hosting sites to re-watch and re-enjoy his classic moments for all time ahead.

I’ve only watched The Late Show on-and-off since around 2008, and even though I may have been too late to enjoy a lot more of the great moments that endured in the Ed Sullivan Theater (I was 13 then), I did come a great time: I watched Paul McCartney perform on the marquee, saw President Obama make his first appearance, Joaquin Phoenix act near-insane in his 2009 interview, saw many amazing musicians perform on stage and laugh with some great comedians (newcomers and legends). Despite my short time-span watching this show, apparently, it was never too late to watch The Late Show. And I’m glad, humbled and grateful to watch it as long as I did.

CBS, thank you for keeping this guy in our hair for 2 decades.
CBS Orchestra, thank you guys for the amazing soundtrack that played with and highlighted these moments for so long. No matter if NBC owns your name or what it says, you guys will always be The World’s Most Dangerous Band to all of us.
And to you, Dave: thank you for making us laugh in the most goofy, twisted, cruel, strange and ingeniously subverted way possible for the last 33 years (and for me, about 7). With you, we've had so many hilarious and heartwarming moments memories to count, and you've made them the way you did. There will be no one like you again, and no one to even come close to reaching touching your talent and humor. Although we some late night hosts coming close. One of them is Stephen Colbert, who will become the next host on September 8. He's the perfect replacement as his smart, biting, irreverent and wonderful humor will be a perfect crux to end our sadness come that time. I have so much hope, faith and happiness for him and the crew he'll bring with him to take the Late Show to new heights. Good luck to them.
For now, let's celebrate you. You deserve the love and praise you've received and you deserve retirement. Have a great rest of your life as we will continue enjoying for what you are. One of the greatest late-night talk show hosts of all time.
Thank you...Da.

FunMay Friday: #28--Tortoises vs. Pancakes (#MaroonMay)

Happy FunMay Friday (for the third time).
Do not give this a second thought.
Check out this video from...BuzzFeed. This is actually really cute.
It's about some turtles eating pancakes. What more can I say?

This is cute, funny and awesome all at once.

FunMay Friday: #27--Boy Gives Homeless Man Waffle House Meal (#MaroonMay)

Hey, everyone. FunMay Friday continues.

And now, I, Andrew, the marvelous Maroon Mauruder himself, have a question:
Do you like Waffles? I said, Do...You...Like...Waffles?! (Oh yeah, you can't answer. This isn't a video.)


Anyway, here's a sweet video for you as sweet as a syrup race.

In Central Alabama, a mom and her young son took a trip to the local Waffle House. At the parking lot, the child, 5-year-old Josiah Duncan, notices a man sitting on the curb with a bag, so he asks his mom, Ava Faulk, about him and his disheveled appearance. She answers his question "Because he's homeless"; to which Josiah replies, "Well, what does that mean?". "That means he doesn't have a house," Ms. Faulk answers.

After this cute Q&A session between mom and son, Josiah gives one of the most heartwarming and beautiful things I've ever seen a child do in real life.
"Nobody really waited on him," his mom explained of the homeless man. "And Josiah jumped up and asked him if he needed a menu because he couldn't order without one." Josiah gives the man a nice experience he'll never forget, by letting him join the two for a meal, with Ms. Faulk paying for his meal. The homeless man suggests something cheap, but Faulk rebuffs and gives him anything he wanted free-of-charge. When the meal came, Josiah did something equally beautiful: to say a blessing. The other WH patrons listened in as Josiah loudly sang his prayers.

"That man just cried, and everybody else at Waffle House was crying," his mom said. Faulk says that day her son taught her the importance of seizing the chance to do something good. "You never know who is an angel on Earth," she said, "and when the opportunity comes at you, you never should walk away from it."

Now here's the video report from WFSA 12 in Central Alabama for the report:
WSFA.com Montgomery Alabama news.
Big thanks to WSFA 12 for the wonderful story, and special thanks to 6abc in Philadelphia for their article on their website. It's stories like these that make me keep some faith in humanity.
Ahh, such a wonderful example of how humanity should be. What a lovely child.

FunMay Friday: #26--Real-Life Captain America: The Late-Spring Soldier (#MaroonMay)

Welcome, everyone, to another FunMay Friday.
If you want, call Steve Voglezon Captain America. Not only because he's an Army Captain, (and he has the same first name as Stave Rogers), but also because, at the time, he wore a Captain America t-shirt. He saved three victims of a two-vehicle car accident in North Carolina.




William Thompson, and his wife Kathleen, were taking a stroll through Chatham County on the afternoon of Sunday the 17th, when another driver, Mark Ricketts, crossed into their lane, smashed into their Acura sedan head-on and flipped his silver Chrysler SUV. Both cars later burst on fire.

Voglezon and his girlfriend were passing by on the way to the local shopping mall when he decided to spring into action. He runs into the burning scene and grabs all passengers one-by one. It was caught on camera by a witness also on the scene.
Here's the video obtained by NC station WMCN.


A Army Captain saves three people's lives and doesn't give it a second thought. Plus, he rocks a nice Cap tee.

How awesome is that?

Thanks to the Daily Mail in the UK for the article of the post, and the video.
http://www.dailymail.co.uk/news/article-3087805/Incredible-moment-fearless-duty-Army-Captain-saves-couple-trapped-car-fiery-head-collision.html

Wednesday, May 20, 2015

#MaroonMay Awards Reviews: Billboard Music Awards 2015

The Billboard Music Awards are back! Just like that phrase that just keeps on going instead of being tossed after the first year on ABC.

This year's host is Ludacris, who again brings the swagger, charisma and Dirty South to the MGM Grand in Las Vegas. But he's not alone; for the first time, another host is in the mix, and it's Chrissy Teigen, one of the most hottest models on Earth, a darling on social media and wife of R&B crooner John Legend. A triple threat if I've ever seen one.

I liked Luda as host last year; he wasn't boring--he didn't get too excited and kept the flow going throughout the show. So I didn't mind him coming back; In fact, I'm glad he came back. So I think that he and Chrissy would be a good match together as co-hosts, right?

Well, before I get to the performances, I'll get to the hosts: While Luda was still great (not to gush about, but held it down great), Chrissy seemed great. She had the energy, charm and cadence to host, and she was great when it came to introducing performers and award presenters, but when it came time to jokes, it all went downhill from there.

I mean, I know those were jokes, but they were cringing and a little gross (and I had a few jokes of my own as well) like this:
--"And here's the man I banged!" (paraphrasing)
---I know you bang him, but did you HAVE to mention this on live television? We already have "All of Me" for implications.
--"...whose...like a little brother to me"
---Oh yeah? Well, I hope you enjoy the incest you guys got going on, then.

Whoever wrote these nasty jokes shouldn't be hired to write for the show again next year.
Other than that shit, I thought both hosts did great, whether together or individually, and I would be glad if they return as hosts next year (although mostly Luda, because those jokes were shit).

Van Halen kicked off the show with one of their classic hits "Panama". These guys never missed a beat, and brought the house down. If I was there, I'd try to chain-reaction say "You still got it" with everyone else joining in. Because... They still got it. That's all I can say.
--
Fall Out Boy performed one of my favorite song of theirs right now, "Uma Thurman". It's catchy, groovy and the sample of the theme song of The Munsters made me fall in love with it immediately. Then Wiz Khalifa comes in for his verse from the song's remix...and I like it. He was great and bumped this song up even more. Both were fantastic. And the dancers on stage were awesome dancing like Ms. Thurman in Pulp Fiction.
--

Nick Jonas brought the 80s with him (or at least what the 80s looks like in video compilations of TV network on-air graphics people put on YouTube) to the MGM Grand with his performance of "Jealous". I loved the set-up...but I feared that if people with epilepsy watched it, they might get seizures, because of the bright, flashing lights (I'm not joking--well, I was when I watched live). Other than that, it was a great one, Jonas sang nice, but I felt it was strained in a few places. That guitar solo, though, was fucking SICK.
--
Meghan Trainor has a lovely voice and would've proved it well without "All About That Bass" being her debut. Anyway, she still proved it when she sang "Like I'm Gonna Lose You" with her guest (her little brother, as Teigen called him--augh!) John Legend. Both singers sounded lovely and matched each other quite well, although I thought Legend would top Meghan on vocals like he's a male Diana Ross. Must've been her softer vocals in comparison.
--
Mariah Carey retuned to the BBMA stage after 17 years (!) to perform two of her big hits: her first hit, 1990's "Vision of Love", and her latest, "Infinity". She was as great as ever, but her singing from the low points was, while sultry and sexy, was a little disappointing. But I still enjoyed it. That is, until she sung "Infinity", which I see as a partial diss track to ex-husband Nick Cannon, which I hated.
--

Wiz returned to perform the #1 song on the charts at the moment (and the tribute to franchise star Paul Walker--may he Rest in Peace) "See You Again" with Charlie Booth

I mean Puth. (sorry) As with all other performances I've seen, it was lovely and wonderful. But what made this even better was when violin goddess Lindsey Stirling performed along with Wiz and Puth, making this one even better than before. That was lovely.
--
After an introduction by Taraji P. Henson, one of the stars of the hit Fox drama, her co-stars Jussie Smollett and Bryshere "Yazz" Gray performed songs from Empire, "Conqueror" with Estelle and "You're So Beautiful". Both songs are great in their own ways--Conqueror as a sulry and grown song about self-empowerment and "Beautiful" as a hot, sexy song about love no matter how you look. All three actors/singers did great with their vocals and had me smiling. I love and enjoy Empire and I can't wait for Season 2 in September for more drama, more music and more Jamal and Hakeem.
--
Straight after was Hozier with his dark, brooding, haunting, sad--whatever you call it--debut track "Take Me to Church". I love when he performs it live, which is much more sadder in tempo and tone than the original. It just makes me feel (ironically)...HAPPY. He sings without the second verse this time, for some reason, but I still enjoyed it. Great job, Andrew Byrne.
--
Little Big Town hit the stage for "Girl Crush" (you can already tell what it's about from the title), their hot song about Lesbian crushes. And boy was it hot.
I love how subtle it sounds, despite how wide open it is about the subject. It's like it's screaming "I THINK I LIKE GIRLS!!", but it's whispering "I love you, but I may have a crush on another woman", which is really nice. The group's vocals are beautiful and meshed amazingly, and make this one of my favorites of the show.
--
Pitbull (Mr. 305, Mr. Worldwide, Mr. I-Love-Money-Like Water, Mr. Speaks-Like-He's-Homer-Simpson-Whispering, whatever you call him) teamed up with Chris Brown
for their song "Fun" (not to be confused with the band of the same name; that ends with a .). I really liked the beat; it's very party-pop/copa cabana 80s, and the chorus seems very catchy. I can definitely see this track as a summer hit.
(Also, the hug the two shared at the end was really sweet.)
--
Ed Sheeran performed one of my favorite songs from X (multiply), "Bloodstream". The dude is awesome on guitar and has a great voice, so add in a machine that will record a voice at a certain point in a song, and use that for later, and you have one of my favorite performances. The best part came during the part where he sang
"All the voices in my mind/Calling all across the line". The voices that layer the last as they play one by one, is fantastic and gives me feels. And I'll get even more feels from him next month at the Much Music Video Awards. This guy is awesome.
--
Ugh
Britney Spears took the stage and continues to do what she shouldn't be doing in about a few years: singing like a teenager with a head cold and dancing like a stripper at a fledgling nightclub. With her latest single "Pretty Ladies" with Iggy Azalea, she seems like won't stop then.
This song is very meh. The beat is like "Fancy"; it's boring, it never changes, and it sounds like someone making a bass-lased recorded version of raspberries. Unlike "Fancy", the beat is the same notes over and over. I don't think I'll listen to this anytime soon. Or later. I like the 80s look of the set-up, bright, colorful and vibrant. And that's it.
--
Nicki Minaj performed two new songs, "The Night is Still Young" and "Hey Mama" with David Guetta.
--
Tori Kelly, the "One to Watch" by Kia Motors performed her debut hit "Nobody Love". I really enjoy this song. Ever since the very first time I've heard it, I've fell in love with it. The beat is super nice, the lyrics are real and catchy, and Tori's vocals are wonderful. This performance was just great.
--
Simple Minds. Heard of them? You may have if you watched The Breakfast Club. Their song "Don't You (Forget About Me)" is stuff of soundtrack legend. And they get to perform it live in tribute of the film's 30th Anniversary. And what can I say? It was AWESOME!! Like Van Halen earlier, the band has still got it, and they're still great after all these years.
--
Kelly Clarkson just continues to be an awesome singer, with her performance of "Invincible". The song is a wonderful song of self-empowerment, and Kelly's vocals are just as great and beautiful as they always were. Kelly is just an amazing singer and an amazing lady in life.
--
Imagine Dragons took the time to also pay tribute to another legend, Ben E. King. They performed his ever-iconic "Stand by Me". This was a very lovely tribute by one of the greats in Rhythm & Blues. Made me tear up hard.
I really wouldn't mind very much it if this was the final performance of the show. But it wasn't...this was.
--
Kanye West ended the show with his performance of "All Day". Or at least I read it off as that, because the performance was censored so hard I might have thought I pressed the Mute button on my TV. And I lost the remote MONTHS AGO!!. Oh well, i didn't care for that and I'm glad I didn't hear the song at first.

Random Thoughts:
-Taylor Swift looks white-hot. Just putting that out. And had I still hated her as a musician during her 1989 era, I would've been furious with her 8 wins of the show. Fortunately, I'm not, as I realize there shouldn't be a lot to hate her for. She's a smart, sweet lady, and her music isn't bad, so I'm happy she won, and I'm not ashamed that I like the single from 1989. Well, except "Bad Blood"; I can very well do without that.
-During the broadcast, there was a short tribute to Blues God, BB King. This was a lovely tribute to him, and it made me tear up. One of the best moments of the night.
-Sam Smith had the best acceptance speech of the show. No voice, just cue cards. And they still brought me down.
-From the moment I saw her on stage, I knew it was Lindsey Stirling. She was awesome.
-Molly Ringwald is hot. I think her acting career did had a thing to do with that.
-Before Kanye West gave his...performance, his sister-in-law(-for-life) Kendall and Kylie Jenner introduced him. While doing so, they were booed by the audience. I don't hate them; they aren't as annoying and they don't put out as much as their big sister Kim, I found it funny that they got booed, and that many people in America don't care for them or the Kar-trash-ians anymore (except for Bruce Jenner; he deserves it).

Goodnight!