THE//EDDIE/MURPHY\SHOW=REVIEW (aka SATURDAY/NIGHT\LIVE_FORTYFIVE=REVIEW: ten -- EDDIE MURPHY (and lizzo) [Chrismas]

Finally...

The man that saved a sketch comedy powerhouse... has come back home.

The man that for four years in the 80s helped (if not single handedly took) a hugely successful and popular television series from its dying breaths and gave it new life through his wild, crass, racially-charged and eye-opening yet real, raw, refreshing and damn hilarious brand of comedy has finally returned to that series as host for the first time in 35 years -- and that was the second time (his first was while he was still a cast member). And between that timeframe, he's made movies. And comedy specials. And -- popular, successful, quotable, classic movies and comedy specials.

Laughter is his game.

Eddie Murphy is his name.

On the other side of the bill is a musician who has really made a big jump to the mainstream this year. While she has been in the game for several years, she's been making hit after hit, bop after bop, jam after jam and Jawn after jawn in 2019. Juice, Truth Hurts, Good as Hell, Jerome and  And she's just getting started. Oh and she's fluent with the flute.

Her name is Lizzo.

Honestly, I can't freaking wait.

I've seen Murphy's sketches today alone and he was definitely the shit during his time inside Studio 8H. His jokes were hilarious, his timing was impeccable, his characters (Mr. Robinson, Gumby and Buckwheat, etc.) was iconic and he was an inspiration to many. You really wouldn't believe he was only 19 when he started. Now he's back where he started from, with everyone grateful to be where they are because of him. And I'm grateful to be alive for it all.

See you soon for the 45th Christmas episode and the last episode of both 2019 and the 2010s. Can't get any bigger than this.

--

And here we go!
Obviously we start with a political cold open, this time based on the sixth democratic national debate. Everyone we know/love is back - Rachel Dratch as Amy Klobochar, Larry David as Bernie Sanders, Jason Seudeikis as Joe Biden, Fred Armiden as Michael Bloomberg and Maya Rudolph as dropout Kamala Harris (bringing her Beyonce sized sexy song humor with her). I didn't see the debate, and I didn't have to - as I know where my support lies. But this sketch tells me how looney this how thing has been. The current, former and guest cast give their A-game. Heidi Gardner does a fine job as PBS Newshour anchor Judy Woodruff, and Alec Baldwin still has good pay as IMPEACHED President Donald Trump. I can't wait for 2020 for the sketches to fly and the disses to sting.

--

Returning to a standing ovation and CHANTS, Eddie Murphy returned to the house he rebuilt to remind us how awesome he was, still is and always will be - his movies, his wonderful kids and his Bill Cosby impression. Tracy Morgan, Chris Rock and Dave Chappelle cameo to Also prove how awesome they are and make for an entertaining, hilarious and inspiring monologue. Some white dude also appeared -- "Joe Piscopo" -- but thank God for Kenan to break up the monotony.

--

As I live and breathe, it's Mister Robinson! One of Murphy's legendary sketches has risen from the ashes and has not been unmissed. Murphy has not missed a beat as the skit has been reinvigorated for the modern day. His place is now gentrified, he's old and fat and is now rocking a slick stache, but he's still got it -- thieving, squatting and being an affable asshole to everyone he meets. And teaches it all to his young impressionable viewers - who should watch South Central instead.
Also he has a son. I wonder if it's that boy he sold on the black market.

Show returns live on January 25 with Adam Driver and Halsey.
--
No, not Netflix's Nailed It. It's a Food Network show where people bake cakes and they end up dumpster fires that make me question what even do at 12:51 (am, PM, does not matter).
I loved this one because the cakes are nightmares, but the surprises are genuine. Speaking of nightmares, please pray for me after the ugly fire-raised demon lives in mine with me holding a cross and rosary beads to make it through the next few hours.
--
This next pre-tape takes place at a family's Christmas dinner party, where everyone enjoys the love of family and togetherness, even when everything leading up to it was an episode of a BET drama. It was brilliant, realistic to a sense and a classic to be sure. Just wait till next year's clipshow.
--
BUCKWHEAT!
Fuck the pointless  Masked Singer starting the sketch. Buckwheat is back. It's good to see him back. And nice on the judges (surprisingly well-casted) for going meta to welcome him back after three decades... and being shot.
--
She's 100% you know... it's Lizzo.
She performed her #1 hit (and my fave of said boppy jams)  "Truth Hurts". While more nuanced than her last performances of the track (see the BET Awards, VMAs and others for those - oddly they involve cakes), it was still energetic and fun. Lizzo looks 1000% less stripperific than at that Lakers game, she still looked sexy and smooth. She never performed the whole song live before, but I'm glad she did.
--
Colin Jost and Michael Che make their last appearance on Weekend Update, discussing the impeachment-- GUMBY!! He straight up took the show and NBC to task for not putting respect on his name for making Eddie Murphy a star and saving the show. I live for this and laugh for this. Even when they crack up.
-
Pete Davidson peeked out of his pothole to discuss the impeachment before launching a diatribe about how his being thr youngest cast member since Murphy led to jokes of being not handsome. Like a haze, I couldn't remember this.
-
Jost & Che launch into their tradition of reading the other's jokes. And as usual, Colin gets a race joke (Buttegieg"s running mate is the Popeyes Chicken sandwich) and Michael's is cringe (Epstein Unbecoming). My tradition is that it is always funny.
-
Cecily Strong's Jeanine Pirro is back to react to some political crap, but her punchline is up chucking wine all over Jost. It's as disgusting as it was hilarious.
-
This edition was super funny from start to finish. Merry Christmas, Colin and Michael and all of the writers.
--
It seems like they needed a time to squeeze in Murphy's characters when they didn't need to. It feels awkward.
--
Black Jeopardy! Is Back Jeopardy!
And look who's here - Velvet Jones!

The greasy ho-loving woman-teaching book salesman returned during an episode of the game show-within-a-show, and even though he's older, he isn't wiser enough  to stop saying ho or using the show to his his similarly-titled correspondence  books. I always love this sketch, and seeing yet another Murphy character makes me smile wide. His last answer is inspiring though.
--
Lizzo returned for the last performance of the year/decade with a Christmassy version of "Good as Hell" in a super-sexy Winter Wonderland. It was quite a surprise to see, but with dancers dressed like sultry candy canes and Cirque de Soleil-ing on poles, it's every sleazy pizza-faced 16-year-old's dream. Hot and fresh on the coldest, stalest holiday, Lizzo knocked it out the park.
--
And finally, a bear has terrorized and cannibalized a section of Santa's workshop. An elf has freaked out and it's all on the news.

Meh. Murphy saved it from being boring and forgettable. His lines were hammy and hilarious and all the same sleazy but make this sketch a visual pleasure but a conceptual waste.
--
Well, that is it. The last episode of SNL in 2019 hosted by Eddie Murphy. It was a great episode that featured expected-but-still-exciting appearances of Murphy's great characters from his tenure, and a few new and recurring sketches that took at least one big laugh out of me. The cast took the year out on a bang, and continued to gel with the impressive writing perfection. The hosts, musical guests and guest stars are brilliantly chosen and all give their A-game to consistently awesome returns and the creative of Lorne and the staff have no bounds yet (there are small ones but they come and go). This season so far is a winner to me, and I can't wait for more in the new year and decade. And I hope you'll join me then. Happy Holidays, everyone.I'm Andrew Duvall Pollard, saying "Goodnight and...*gurgling demonic tonguespeak*...-- I mean, "I'M GUMBY, DAMMIT!?".

Refresh for more review - this is live tonight.

Toony Tuesday's Tinselthon: Simpsons Roasting on an Open Fire (The Simpsons)

Ho-Ho-Hey, everyone!
Welcome back to Tinselthon. Today, we're taking a look at the very first episode of The Simpsons - coincidentally a Christmas episode. Aired on Fox on December 17, 1989, this episode either reintroduced to America the subjects of the popular segment on The Tracey Ullman Show (which also aired on Fox at the time) or introduced to America and the world a family that would change the idea of a fictional family on television and the landscape of the American sitcom forever. And it all began by changing the landscape of the Christmas episode - for worse (for the characters) and for better (for them later and for us).

It's "Simpsons Roasting on an Open Fire".

This special is different from many others before it in which unlike where one or two things go wrong for light despair and/or heavy laughs but everything still goes right and festive in the end, everything goes wrong -- whether for despair and/or laughs.
- Bart gets a tattoo, but Marge pays for a painful removal - losing the money for Christmas presents in the process
- Homer doesn't get a Christmas bonus (along with his co-workers) and has to find otjer means to make pre-Christmas cash.
- Homer steals a tree from a homeowner's land (and nearly gets shot and mauled) because he couldn't afford even the cheapest of big real fir trees.
-Homer's secret seasonal job as a mall Santa gets him a very low wage (current hourly minimum wage)
- Homer's last resort is to take that wage to bet at a dog track. Even that fails... with terrible odds against his pick (but at least he does get a new puppy for the family).

Homie tries his absolute best (and that is very commendable) but sadly falls short every time... but at the end, the family are still happy -- thanks to their new dog Santa's Little Helper, joining their other pet Snowball II (rest in peace, Snowball I) as the furry members of the clan.
Despite the near poverty, it's sweet (and even a little teary-eyed to see the family still have a great Christmas. It's as if you don't need presents, trees, bright lights and decorations to have a memorable holiday. Just family and love.

This special episode introduced secondary characters that would become beloved on their own later on in the series proper.
- Seymour Skinner, Springfield Elementary principal
- Milhouse Van Houten, Bart's best friend and co-conspirator in his schemes
- Sherri and Terri, Bart and Lisa's classmates
-Ralph Wiggum, Bart's... special classmate
- Moe Syzslak, proprietor of Moe's
- Charles Montgomery Burns, Homer's evil greedy boss at the Power Plant
- Waylon Smithers (whom is only heard over the speaker)
- Barney Gumble, Homer's best friend, drunk and frequent Moe's customer (and is also a blonde here, instead of a brunette)
- Patty and Selma Bouvier, Marge's older twin sisters
- Ned Flanders (Homer's sweet friendly neighbor) and his son Todd
- Santa's Little Helper, the Simpsons' new pet dog
- Snowball II, the Simpsons' (relatively new) pet cat (of many)
- Dewey Largo, Springfield Elementary's music teacher
and Lewis, one of Bart's other friends/classmates (at first)

"Simpsons Roasting on an Open Fire" really kicked off the series in a big, festive way, and it's easy to see.
From the start and throughout the episode, America's favorite family were just like we knew them from day one (if you've never watched the Tracey Ullman Show shorts).
Bart being a mischievous brat that with a heart;
Lisa a precocious sweetheart, Maggie a pacifier-sucking walking-then-tripping baby, Marge a wise nurturing and loving mother and wife, and Homer a dopey and anger-prone yet fun, loving and determined father (sort-of). They represent a family that truly exists in all of us -- even if their characteristics are a bit over-the-top, there's legitimate authenticity in the family that you see in your family or your friends' families or your neighbors or people you see walking down the street. There's a chance the Simpsons are just like your family (and one of them are just like you).

Random Thoughts:
- How the hell did the tattoo artist think Bart was old enough to get inked despite The Boy being half his size?? Maybe he saw the signs instead -- dollar signs.
- By extension, Marge really didn't have to pay to get it removed. That money is for presents. If anything they could've waited until AFTER Christmas with makeup covering it.

Favorite Moments:
- Lisa and Bart's showings at SE's Christmas Pageant (especially Lisa's)
- The family's letters to Santa
- Homer as Mall Santa
- Bart's encouragement for Homer to keep earning money
- Patty & Selma in general
-Lisa telling off Aunt Patty for dissing Homer in such articulate language that I had to hear very close to hear what she said (I knew what she said though). What a badass daddy's girl!
- Homer and Bart taking home Santa's Little Helper (and the family's reactions)
The family and Grandpa Abe singing "Rudolph the Red-Nosed Reindeer" -- with Homer snapping at Bart and Lisa for adding funny lyrics to it (the former later getting strangled for the first time because of it).

Favorite Lines:
- "Oh, Jingle bells, Batman smells, Robin laid an egg. The Batmobile broke its wheel, and the Joker got awa- (YANK)" -Bart
--
-
Marge: You will not be getting a tattoo for Christmas!
Homer: Yeah, if you want one you'll have to pay for it out of your own allowance.
Marge: Homer!
--
Marge: (writing) Dear Friends of the Simpson Family, We had some sadness and some gladness this year. First the sadness: our little cat Snowball was unexpectedly run over and went to Kitty Heaven. But we bought a new little cat, Snowball II, so I guess life goes on. Speaking of life going on, Grampa is still with us, feisty as ever. Maggie is walking by herself, Lisa got straight A's and Bart... well, we love Bart. The magic of the season has touched us all.
Homer: Marge! Haven't you finished that stupid letter yet?
Marge: [writing] Homer sends his love. Happy Holidays...
Homer: Marge!
Marge: [writing] The Simpsons.
--
Homer: (buying a chew toy for Maggie) It says it's for dogs... but she can't read.
--
Tattoo Removal Technician: (turning on laser) Now whatever you do, boy, don't squirm. You don't want to get this sucker near your eye or groin.
--
Homer: Dasher, Dancer... Prancer... Nixon... Comet... Cupid... Donna Dixon?
--
Bart: Hey, Santa, what's shakin', man?
Homer: (as Santa) What's your name, Bart-ner... er... little partner?
Bart: I'm Bart Simpson. Who the hell are you?
Homer: (annoyed) I'm Jolly ol' Saint Nick.
Bart: Oh, yeah? We'll see about that! (Pulls off Homer's Santa beard, just as their photo is taken)
Homer: D'oh!
--
Bart: Aw, come on, Dad, this could be the miracle that saves the Simpsons' Christmas. If TV has taught me anything, it's that miracles always happen to poor kids at Christmas. It happened to Tiny Tim, it happened to Charlie Brown, it happened to The Smurfs, and it's gonna happen to us!
Homer: Oh, all right. Who's Tiny Tim?
--
Patty: Where's Homer anyway? It's so typical of the big doofus to spoil it all.
Lisa: What, Aunt Patty?
Patty: Oh, nothing, dear. I'm just trashing your father.
Lisa: Well, I wish you wouldn't because, aside from the fact that he has the same frailties as all human beings, he's the only father I have. Therefore, he is my model of manhood, and my estimation of him will govern the prospects of my adult relationships. So I hope you bear in mind that any knock at him is a knock at me, and I am far too young to defend myself against such onslaughts.
Patty: Mm hm. Go watch your cartoon show, dear.
--
Marge: This is the best gift of all, Homer.
Homer: It is?
Marge: Yes, something to share our love - and frighten prowlers.

Bart: And if he runs away, he'll be easy to catch.
--
"OW! quitit." -Bart
--

"Simpsons Roasting on an Open Fire" is not only a hilarious, brilliant and heartwarming start to The Simpsons TV series as a whole, but is also one of the best Christmas episodes and specials in television history (and maybe it's because I love the show very much, but even if not it still is). This episode was supposed to air later in the season, but thanks to sloppy animation of the intended debut "Some Enchanted Evening" (In fact the series was to first debut in Fall 1989 with that episode) being pointed out by EP and co-developer James L. Brooks, it was scrapped with this episode airing in it's place. Cheers to writer Mimi Pond (her only credit for the series) and director David Silverman (his first of many), and the rest of the early crew for putting together such a festive and fantastic debut.

Thank you all for joining me for my first ever review of The Simpsons. And stay tuned on January 14 where I'll review the rest of Season 1, starting with "Bart the Genius". Can't wait to do it, and I hope you'll all join me.

Merry Christmas, everyone!
Or... Happy Hanukkah/Kwanzaa/Boxing Day/Festivus/etc./New Year, everyone!

Toony Tuesday's Tinselthon: Rudolph the Red-Nosed Reindeer

Welcome everyone, to the first of hopefully many editions of Toony Tuesday's holiday-themed reviews - entitled Tinselthon. First up, the one that started the madness; the special that created term, and has continued the trend today with movies that are all essentially the same thing "something (romance, mishap, goofiness, bright light competitions, etc.) and TV shows where something (disbelief in Santa, missing presents) turns to something expected (belief, gifts turn up, everyone’s happy) to this day. It’s the first of Rankin/Bass’ iconic holiday specials: Rudolph the Red-Nosed Reindeer.

Everyone knows the song, everyone remembers the story, everyone can recaaaall the most famous reindeer of aaaaall. And everyone has figured out how much of an asswipe Santa - and everyone but Mrs. Donner, Hermey, Clarice, Yukon Cornelius Mrs. Claus and the Misfit Toys - was. So please let me retell it in my snappy, sardonic, somewhat-serious and un-patent-able wit and weird, uncouth yet funny writing.

This special has been sweet, fun, hilarious, and brilliant. But at some parts, it feels a bit cynical. Even though I never noticed it as a kid, almost everyone in the special was a damn jerk to Rudolph:
- His father Donner resented the red nose from the moment he was born (although I will give him some credit - he was genuinely shocked by the blinkin' beemer of a beak and wanted to protect him from the other dicks of does, and did feel horrible about his borderline emotional abuse when his son runs away from home);
- all the other reindeer (children and adults) give him hella grief because of it, by making fun of him (the kids) or keeping him away from... certain activities (Comet [thank gosh Santa yanked him out of the sleigh]). And even when he became an adult, the rest of them still act childish as hell towards him. [it's one thing for fellow kids to mock you for your appearance, but for grown deer and does to brush you off so harshly? That's a dick move if I've ever seen in a holiday special. And I don't care if that's how parents act toward their kin back then, that's just crappy];
- And finally, old Kris Kringle himself. From the moment he meets up with Donner and the Ms. to meet their newborn, Santa bitterly dismissed Rudolph because of the nose, and during the reindeer games scene where he admonished Donner for the little kid he co-conceived having the thing he didn't have any control over. The only time he finally shows any empathy to Rudolph is when the latter's nose has much better use when a demon snowstorm devastates the world and the nose's light so bright as a lifeline to give Christmas gifts to the kids. [Yeah, sure he did feel bad later on {he just didn't say it himself}].
(I said this in my review of the song during my Top 10 Worst Christmas Songs of All Time... list: the reason I hate the song [and therefore these characters in this special] is because Santa and the other reindeer treat him like garbage until the very minute (when a snowstorm somehow nearly wiped out the whole damn WORLD) he was considered useful - not a friend, or an acquaintance, or even someone interesting; USEFUL. People like them make the world a wasteland. While it’s nice that there are people with great talents to help make the planet brighter, taking advantage of them is a scumbag move.)


All these characters (except Donner to an extent) are the worst parts of the special, and while I’m aware that it’s one special whose plot is literally untouched all these years (...except the part of the end when the Misfit Toys do go to deserving homes) - causing me not to get totally furious about it, watching these scenes still tick me off - more so as an adult. Screw them!

And now to rid of the rampant rage, let’s talk about the special’s music.
Of course, this special titled Rudolph the Red-Nose Reindeer is based on the song called “Rudolph the Red-Nose Reindeer”. I don’t like the song (see why here), but I love the songs featured.

“Jingle, Jingle, Jingle” is a catchy and fun introduction to Santa (before he became the asshole we know and despise).
“We Are Santa’s Elves” is a sugary, charming and high-energy bop by...guess. The one elf with the specs doing that one line is always a highlight, as is the elf that cut another elf’s feather on his cap.
"There's Always Tomorrow" is a dreamy ditty by Clarice in which she comforts Rudolph from the cruel taunts from the other young deer. Her VA’s voice (along with those of the background vocalists and the stirring production) bring a string tingle down my spine and can for yours as well. The big crescendo at the end is also borderline ethereal. It’s an incredibly beautiful song that tells the listener that just because today was not your day, the next just may be.
"We're a Couple of Misfits" actually begins twice in which both Rudolph and Hermey ask why they are what others think they are, and it’s very sad. But the song itself is more cheerful and encouraging, where the two take joy in the fact that they are not alone in their misery over their true selves, and even more so when they say “fuck off” to their detractors, become what they are born to be and become independent together. It’s an upbeat and uplifting track that can inspire those who are in the same predicament to ignore the haters and be, stay true and love themselves.
There’s another song performed by the dynamic duo called “Fame and Fortune”, which replaced “Misfits” in the special’s 1965 airing and for several years. It’s a bright and cheery tune about them wanting to reach stardom and prosperity. While that doesn't fit the scene or the special as a whole, it’s still catchy and the instrumental is
"Silver and Gold" is a soft, slow, simmering song by Sam the Snowman, teaching us that the titular precious metals are not what they’re really worth, and life and all good that entails are. They do make great decorations though. The song was originally to be performed by Yukon himself, Larry D. Mann, but was given to Ives because of his legendary singing career. Makes sense there, seeing as the gold miner would’ve sang a song about gold, but whatever.
"The Most Wonderful Day of the Year" introduces The Misfit Toys. It starts sad and tearful, but when you get to know them you feel heartbroken for their current predicament, but you do smile a bit knowing what happens to them later.
And finally, another song by Sam the Snowman to close out the program, “A Holly Jolly Christmas”. While it debuted during the special, it has since grown to be a seasonal classic ever since. It’s definitely as bright, cheerful, fun, exciting and (dare I add) jolly as the Christmas season itself. Ives’ voice fits and mingles well with the track and is definitely the most memorable part of the song, and was even a Top 10 hit in 2019, making Ives the oldest artist  with the longest gap between hits and the oldest artist - living or dead (at 109 years after his birth) - to have a Top 40 hit. It’s also one of my all-time favorite Christmas songs.


and now the characters I love:
Ms. Donner (Rudolph’s Mom): Her love of her son was obvious, but not being as cruel as the other reindeer make her as saintly as any loving mother would.
Clarice: Rudolph’s sweetie liked him for who he was from the minute they met, a cute deer that she could be friends with (or more). Even when Rudolph’s false fact failed and his real deal revealed, she still liked him and found the beamer handsome. She even wanted to help Ms. Donner find Ru when he ran away. She’s a very compassionate and wise doe who should’ve been of many
Hermey: The ex-elf and perspective dentist also ran away - this time from the toy factory at Santa’s village - for not being accepted as to what he dreams to be. He then meets Rudolph later on and they hit it off and trek to . He’s sweet, smart, strong-willed, sometimes sardonic and super; and his link-up and later friendship with Rudolph during the rest of the special is something iconic and forever the best part of the special.
Yukon Cornelius: This miner may be looney tunes when it comes to mining, but his unconventional style, kindness to Ru & Herm by helping them find a new living space and hyper-loud voice and hammy/cheesy speaking are infectious. And his sacrificing himself to save Rudolph and Hermey is one that gives him the right to be called a hero (even if he survives as shown later on with Bumble [how? “Bumbe]) Every time he appears on-screen makes me ear-to-ear grin, so much that he may be my favorite.
The Misfit Toys: This large commune of unique playthings couldn't be played because of their odd differences from other versions of their kind: A cowboy riding an ostrich (instead of a horse), a gun unleashing jelly (and not bullets), a jack-in-the-box named… Charlie, a polka-dotted elephant, a boat that sinks (not floats) and stammers and a depressed doll, with a flying lion as their leader. While it’s heartbreaking to see these toys in their current condition - unwanted, unloved and nowhere else to go, seeing Rudolph and Hermey cheer them up and convince them that they are the exact opposite made me tear up. And that they finally do find forever homes during the special’s close made my heart almost warm as much as Rudolph’s nose. As for the leader, King Moonracer, he’s a stubborn but caring and fair monarch, and his letting the Island’s castaways leave for their destinies is wonderful and palpable.
Ms. Claus: I’ve never seen her act harsh or malicious to any other character, let alone Hermey or Rudolph. Her meanie moment was at the start when she wants Santa to fatten up, but she was cool then and throughout.

While there were characters I dislike profusely, there are also characters I adore strongly, and the latter outweighs the former by a mile for me to keep loving the special. Also, a few words: the animation is shoddy and jerky but has its charms, the work to get the movie together was admirable, the voice work is top-notch - with most of the cash to blow on Ives as Sam (and he does a fantastic job), the songs are earworms of the very merry kind and the story sucks but the journey to the end is an enduring one. It’s not one of my very favorite Christmas specials, but it is still worth watching after all these years and something for the family to watch together. Enjoy.

Random Thoughts:
- The Head Elf is a dick, but his inflictions are a delicious riot
 - "WHY WEREN'T YOU AT ELF PRACTICE?!"
- If it weren't for their outfits, all the other elves would've looked like the mascot for the Greendale Human Beings - but with faces. In other words, they look non-gender-ish (no homophobe).
- Hermey's non-speaking faces and poses give me life. Just watch the song scenes mute.
- A cowboy riding an ostrich is super awesome, a gun squirting jelly would be brilliant at breakfast and lunch, a polka-dotted elephant or a sadsack doll would be any kid's favorite snuggle-buddy, a sinking, stuttering boat can be fun to play with when holding it, and Charlie-in-the-box...can have a different name- but Charlie is just fine.
- King Moonracer is a badass - in name, character and in form. He shall be my spirit animal of the month of December or any month ending in "-ember" or "-ry".

- As you all know recently, the Rudolph special was produced and aired in 1964, but Videocraft (Rankin-Bass as it was known that year) goofed big time with the copyright - the year used in roman numerals is MCLXIV -or 1164- MC-M-LXIV meaning this little, unnoticeable slip became a king-size snag picked up years later, proving it to be (at least without the featured music or Rudolph himself) under public domain. So if I had a YouTube show, Fair Use wouldn’t have to protect me; I can show most of it untouched and I’m good.

Thanks for checking in everyone, Come back tomorrow when the Tinselthon continues when I review another of Rankin/Bass’ Christmas classics: Frosty the Snowman.