Showing posts with label SNL 46 Review. Show all posts
Showing posts with label SNL 46 Review. Show all posts

Sunday, December 06, 2020

SATURDAY NIGHT LIVE 46 REVIEW: seven - Jason Bateman & Morgan Wallen Take 2 (lucky motherfμcker)



It's finally here. The worst year in recent recorded history ever is almost over. We're close to a vaccine of the most powerful virus since the Kansas Flu (since some people indignantly want to call COVID the Chinese Flu, the Kung Flu, Wuhan Flu or the Wu-Wu [fuck you in the mouth] because that's where it came from [no shit], I'll call the Spanish Flu the Kansas Flu since that is where it possibly originated in the USA), it's the Holiday Season and it's time to start being genuinely happy again. Because being sad and bored during most of the year was killing me. (Oh sorry. Didn't mean that way.)

Anyway, SNL is back for December and the final three episodes of the year. So Xmas decor shrewn across 8H, sketches rubber stamped across the holiday (and Hanukkah if you're lucky; Kwanzaa be damned), and for this year skits about Trump sweating off his airy second skin as he screams and cries until his epic "fuck off" from the White House (praise me if I'm right; don't quote me if I'm wrong).

Our first of our Holiday Hosts Three, sketch comedy fans, is the male half of the Twins Bateman. Jason Bateman may not be as well-known an actor or heartthrob as Kirk Cameron, Scott Baio, Todd Bridges or Michael J. Fox , he is still a great enough performer on the static box. Thr Hogan Family, Arrested Development and now Ozarks, his Emmy-winning contributions to television have nothing short of laughs, tears, memories and sparks. Although if you told me this isn't his first time hosting (it's his second!), I'd be shocked. Because it doesn't seem like he hosted before on this late night block. But as a fan of Hogan Family and Arrested Development (and have at least heard of Ozarks), I'm totally excited for his appearance.

On the other hand... I bring you to the most lucky and forgiven motherfucker on the planet. You remember Morgan Wallen, the guy who got the chance of a lifetime to perform on SNL back on October 10th (the episode hosted by Bill Burr), but fucked it all up when he got caught on camera partying at an Alabama bar with everyone not masking or social distancing and had to apologize for it? Well, Lorne decided to accept his plea for forgiveness (and desperate attempt back to crossover relevancy) to let him perform less than two months later. And he seems to hold up on his comeback by wearing a mask during promos. I never had interest in his music and was going to start before his original appearance, but dropped after his foolish faux pas. But if Lorne can turn the other cheek on this walking major COVID safety violation, then so should I.

If you guessed the Cold Open was on that viral Senate commitee hearing with that Looney Tune bitch with a mouth that runs on idiocy, congrats. You don't get smacked on the back of the head.

First off, CECILY STRONG IS FINALLG BACK LIVE!!! Thank God she is safe and healthy. She did fantastic as... Whatever her name is. The sketch perfect captured how bonkers the hearing was. Maybe a little too bonkers. Kate McKinnon was fab as Giuliani (fart and all) Nothing more notable to say here cause that's all we expected.

Bateman finally made his return to the main stage after FIFTEEN YEARS (he last hosted in 2005). After mentioning what I said earlier, he recounts a sketch in which he plays monkey who chucks shit at famous people (after joking he had the vaccine, I wish a monkey did it to him). I bet it sucked, but the more important chunk was during the goodnights when the same monkey almost either sucked face or ate off his face. It was a crazy sight, but the story droned on a bit until JB mentioned the sweet denouement that the monkey wanted to make amends and did. Then he got sent to the glue factory. That punchline paid off.

The Sketch After was a meh but the little things made it worked. At (yet another) sleepover, the host's father talked with them about one of them having their first little red dot on the couch (but it wasn't big). Of course the chick portraying the cunt clump culprit is Kate, but she sells it well. Otherwise, it was forgettable.

On the contrary, this Pre-Tape is brillant. 
So, Santa is getting letters from the kids and is about ti pick the good ones for presents. Well, one of them isn't Stu, who's desperate for a PS5, as the clip switches to a parody of... that Eminem song "Stan"? Well, what a twist! Seriously, this was so incredible. The PS5 element was brilliant, the set was on point, the lighting and colors were well-contrasted, the rap by Pete Davidson was A1, the Dido-esque vocals by Kate were smooth, Bowen Yang was slammin' as Sir Elton John (because of capturing the charisma and bravado; not the gay thing) and the Santa bits were sweet and savory. A definite must rewatch.

At an outdoor event, there is some singing by two hosts with assistance from the piano player... Blah blah blah. I didn't pay attention because it got tepid immediately and i wad behind.

Fortunately, I was brought back by the next pre-tape. Three women try to tell their mothers thst because of COVID, they can't come to their homes. So the moms reacted the way they usually do -- overreacting, guilt-tripping, fake tears and feigning anything that'll get them out the door without reasonable explanation. This was hilarious; the reactions are what most parents would go for and don't hold back. And the kids' begging to stop and understand are equally funny.

Not funny is this next sketch, which seemed to be the show dissing Wallen for attending a party instead of waiting to party at the show with his performances. But they didn't seem to stick the knife of mockery in his back like they were supposed to and showed this stupid twist in which his future self, his Asian future self and Pere Davidson warn him of the consequences of his drunken debauchery. There's a problem with that. He's already there, there's much less people at the place, the woman is holding a phone she more likely swiped off the lock and chain from the Metro store down the street and like Morgan here would listen to his future self when he's smashed beyond oblivion. This is the show less shaming him for wasting their time and money on his biggest platform play and more begging him to stat and suck his dick as a thank you. I swear they banned Rage Against the Machine for speaking their mind against a billionaire running for president, but if your musical guest is doing a stupid thing of getting bombed at a college party, let's say "hey we're disappointed qyou in not doing the right thing and putting yourself and us at risk, but we're not ballsy enough in banning you because we have none, so come back in two weeks and we'll prepare our jaws, eh?". And prepare they did.

Because Morgan Wallen performed for the first time. And... He was alright. His first track was a smooth track about... Reminiscing about some girl or town or party. I wasn't paying attention on account of the extra lighting across the set. It's as if they're twisting the knife in us (or at least those who hated his given a second chance in the first place).

Time for an Update
Jost and Che this week riffed on Guiliani being a major nutcase with leaking hair dye and a blasting ass throughout the past month. Absolutely hilarious.

Next up, a family visit a Mall Santa and Ms. Claus. But because of the pandemic and despite the mall still opening, the two reps of Christmas must do their duties so they accommodate. With terrible results.

This sketch is the second funniest based on the physical comedy alone. The commitment JB and Cecily go through is commendable. Also the talent of the little girl saying her one line is very good and cute. Plus, the robot elf with the tablet face is pretty funny too.

I have nothing negative to say anymore about Morgan Wallen anymore. I have now realized watching his second performance - looking like Joe Dirt Jr. and mugging the camera the level of Milton Berle - that this anger got unhealthy and staying pissed at him much longer would ulcer me. So I'll stop and say he did quite well. His music isn't bad and I'm happy he reaching the heights he's reaching. I'll just shit on him the next time I'll joke about him later in the future. Now to leave my real anger and disgust at those who deseve it -- COVIDiots, people who dismiss Elliot Page's transition as relevancy and attention-seeking and blasphemous and the people in the right wing and Democratic establishment [everyone fuck off].

Finally, a pre-tape about that one guy in a circle of dudes who sucks at joking at the drop of a hat and keepa trying despite falling flat every time. Of course, Kyle Mooney plays this to perfection and the loopy, trippy, colorful wonderland in his inner musical monologue is amazing. Too bad the audience didn't see it that way.

Speaking on the audience, it seemed they were as dead as the assholes they were forced to treat from COVID--uhh, the flu. The laughs were barely noticeable, the times there wasn't any dragged the live sketches down (and to be honest, half of them weren't great anyway and were there because the sets looked like they shouldn't have been used just for dress. My guess is they just got back from hiatus and needed that jolt back after Thanksgiving break and it shows -- and much better during the pre-tapes at that. We shall see next week, but... Meh.

Jason Bateman made a great host. Despite the fifteen year absence, he looked and acted like his last time was last season. He was totally game for the show and was a highlight of them. Whether as the judgemental dad shaming his daughter for makimg her mom sad to Dad who just can't see the tomboy fucked up his couch because of her pussy over-power, to seemingly unmotivated cabaret piano player to the Mall Santa not giving a shit about his job as more of an acting afterthought, the former David Hogan showed that he is not a forgotten 80s gem. He's a forgotten 80s gem-turned-unfogettable Emmy-winning dynamo. And he didn't need SNL for a brief career revival; SNL needed him, and he said "sure, lemme check my schedule. I'm sure there's a date open. Ahh, how about whenever I feel like it". One part I made up; guess which is it.

The cast is closer because Cecily Strong is back on! I really missed her. Her contributions were sorely needed and her disappearance felt like a slow withdrawal. Hopefully the weekly hits keep on comimg. Speaking of withdrawal, where's Dismukes? Do I have to mourn yet another featured freshman?? Amongst the sausage fest this week from the regular men, I'm surprised I still remember his face and that we share a name and that in some way we're linked in thst we're just watching from afar. Meanwhile, Lauren Holt and PUNKIE POWER! have definitely earned their places with the FaceTime sketch. 

In Conclusion, episode seven was okay. Just not up to par like the marathon six before it. I guess again the break is to blame. The sketches were presented well - especially the ones focusing on the holiday season under the COVID pandemic. Lots of areas to cover and they were well-covered. The jokes were middling but with strong potential - and I can blame that on the audience for not being there (and maybe the writers for trying harder). This outing is a bit forgettable but fortunately, we're two more weeks before the actual Christmas episode so here's hoping for a much better installment.

Until then, we got the pre-Christmas epiosde next week hosted by the most sexy young actor today with the cutest name to match - Timothée Chalamet, with musical guest - and the most badass rocker and backup touring band(?) to come from medium-town Jersey, Bruce Springsteen and the E-Street Band.

See you again next week. Until then, I'm Andrew Pollard, and my concern for a pasty-faced white male cast member of SNL named Andrew is its own concern. Goodnight... 

Sunday, November 01, 2020

Here Lies Mulaney. A Show About Nothing... Funny (2014-2015) | StAbUrDaY/fRiGhT\diVe=REVIEW: fIVe - John Mulaney & The Strokes (The Halloween Episode... on Halloween!)

 

^
That's Drak Pack!

Welcome. Come on in.
I'm Andrew Pollard, and I'm your guide for a deep descent into the dark, dreary, deviant, depressing and decidedly decent den of sketch comedy in the year 2020.
2020 has been a year, no? A year of depression, illness, paranoia, mania, separation, isolation, loss of feeling, loss of employment, loss of life, loss of enjoyment, loss of toilet paper... So much that came this year from one thing or another hit us like a ton of bricks , and yet the one thing that made us shed the most tears was the Peanuts holiday specials are no longer airing on network television. (Seriously? The tradition's not dead! Just buy them on DVD or digital, or swallow your pride and sign up for Apple, it's free for three days. It's not deep.)

But in these times, we all need a laugh before we go a little crazy, one of the most prominent spaces to get one is Saturday Night Live. So far, the 46th season is... mixed. Some episodes had me nearly die laughing, others nearly make me want to die. But hey, any season after five makes you feel that way, right? But since we're in a certain pandemic, even the worst sketches seem like comedy gold. right? Well, that's what we'll hopefully get this empty Halloween night (and it's rare for SNL to have a Halloween episode on Halloween, so that's a treat.) And with our host this week, comedian, former show writer and victim of a shitty Seinfeld-esque sitcom namesake (that reached a grizzly, gruesome, critically-maligned and well-deserved demise), John Mulaney, there's a promise of no tricks. Each and every time he's hosted, his light, smarmy attitude and evenly quirky-yet-surprisingly brashly humor (whether in the monologue or in sketches) has me on the floor (Although the big joke to me coming in is that despite being a well-known and liked comic, the show still manages to find white guys as musical guest that are even more well-known and liked (like the second you hear their name).) Hell, I listen to "Look What God Made Her" by Thomas Rhett more times than any of Mulaney's stand-up routines. That's my standing with him.

Also a treat, returning musical guest The Strokes. While I've never played their music, their appearance in my mental consciousness is strong, thanks to this show and their sets have been straight rock bangers I've enjoyed from the word "go". I'm sure their appearance here will not disappoint. 

We begin with a Cold Open featuring Joe Biden (played by Jim Carrey, who has to be a cast member at this point) reminding America a horrid nightmare that it got itself into - electing Donald Trump.
It's hilarious, well-written and mixed political satire and corny spooky stories together. I'm now in the pro-Carrey-as-Biden camp again, Kate McKinnon returns flawlessly as Hillary along with nice touches of Mikey Day as Nate Silver, Kenan as Ice Cube (?), Chris Redd as Lil Wayne (if he got his face stung by a bee), Maya Rudolph as Kamala and Beck Bennett as blue-hand Mitch McConnell  (whom at this point I'd be happy to dance on his grave when it happens). Let's hope all goes well on November 3
... and beyond. 

Mulaney continues to kill with his stand up monologue. Hits include comedians being "last responders", the fun of watching NY Governor Andrew Cuomo's daily Coronavirus press conferences, the arguments of family taking the kids to grandma's, "Play Covid!", the game of "America's Favorite Grandpa" (and praising Jane Lynch), "new nazis" and especially the one with the one girl at the bitch of a classmate's sleepover. His story about his 94year-old grandmother is something special too. The audience is there, but they still don't accentuate how hilarious Mulaney's set is. 

Ahh, Cinema Classics. One sketch that comes up behind you and hits you over with brilliant one liners and random stuff that happens from classic films. This time it's The Birds - that classic Hitchcock film where he tortured Tippi Hendren the whole time.  The campiness and absurdity of the iconic payphone scene is delicious, Kate McK's take on Hendren is wonderful, the sardonic performance by Mulaney is fantastic and the use of puppets birds is life-changing.
Reese De'What can reminisce on my life if he'd like.

The Pre-Tape After, Strollin', add levity to the struggle black community goes through to vote in the election. The funk and soul riff is badd, the stars of the sketch (Kenan, Reddman, Lego My Ego and PUNKIE POWER!) are dyn-o-mite! and the production is perfectly shot. I love this one and this was needed at this time to give us hope to find whatever polling places are in white neighborhoods, go to them in carpools and wait as long as possible (with snacks from the nearby Dollar Tree).

Next week, the post-election sixth episode... hosted by... DAVE CHAPPELLE! (Yes again.)

The next time I read or watch the stories of Ichabod Crane and the Headless Horseman, I'll always remember when Crane, Pete Davidson and Mikey "Mr. Sketch Security" Day asking H2 if he blows himself, roll into women's bathrooms, and other strange things to keep them from going to hell. I have a feeling Mulaney co-wrote this sketch, because that's his strongsuit. But the jokes are pretty inventive and hilarious.

Speaking of Job Security... Kate McK stars in this sketch celebrating New York City as it gets back to being itself  after the summer pandemic-- a vast wasteland of assholes, commercialism and lots of trains. But the light, airy, sweet lens and praise of frontline workers and helping hand neighbors makes it all good.

THE OCCASIONALLY PLACED LED BACKGOUND SCREEN TELLS YOU TO
OBEY.

Update Time!
First off, congratulations to the newly-married Mr. Scarlett Johansson, Colin Jost!
This week, he and Michael Che discuss President Trump keeping his fans freezing in the cold during one of his rallies and shaming the people who save his obese orange ass from dying, rich black rappers supporting 45 just to keep from paying more taxes, Jared Kushner being a little racist shit again, and the hope of Trump not getting reelected. I swear Update continues to slay this season. The topical jokes are political satire are about top notch, and our two anchormenpersons continue to destroy your innards with laughs. 
Kyle Mooney returns as Baby Yoda (aka The Child) , the true star of The Mandalorian, and is better than ever as the rich male Jerry Springer guest we actually like and laugh with. 

Oh look, Diner Lobster Part 3 or Airport Bodega Part 2: Either Way It's Strange.

This time, Unnamed Chris Redd and Pete Davidson characters go to a Times Square souvenir shop and Pete Dave guy continues to go for disgusting item he shouldn't reach for, leading to the  Mulaney main worker character to admonish him and sing with random Times Square costume workers (led by Kenan) waxing lyrical about the weird, questionable yet resilient lives and jobs they live and work.

This has to be the most expendable sketch ever by now. Each time Mulaney appears they do a new version, and yet it turned out to be the best and brightest of them all. This one is no exception. But you wouldn't catch me wearing those clap-carrying driveway-making drawers. I get them but still. I can do damage to my own when they're clean.

Where were you during Moscow 1972?

Our musical guest The Strokes are a breath of fresh air. Their sweet, fun brand of indie/garage/punk rock is also needed at this time, and their SNL appearance tonight hits the mark. I'm starting to regret not listening to them when I had the chance to... but after tonight, I'll give them a listen or several.

For every "Musical Store" sketch, there's the "Mr. Bennet Gets Memed" sketch. This one I didn't feel as much as last time because it was written sloppily and quickly to cash in on number one and the directing was off. But the memes themselves were still funny. Although Mellisa and Heidi deserve better slots though. Also, if Benner wants a young adult 18-24, he could give Aalyah Mysterio a shout. She likes being confused. (What if y'all are okay with the WWE storyline with Rey Jr's daughter dating a 32-year-old grown man hand waving it as "two consenting adults", then you're okay with me making this joke.)

Overall, this was a very good episode. It's on par with Episode 2 with Bill Burr and Jack White, although this one slips a bit in quality and pacing towards the end and, mostly thanks to the long-as-hell "Souvenir Underwear" sketch. I see Lorne is back on his tick of featuring the top four cast members (Kenan, Kate McKinnon, Mikey FunDay and BeckBenn replacing the absent Cecily Strong, whom I think doesn't want to come back at this point - hope she's okay). Other Andew wasn't there either but Punkie and probably Lauren Holt too somewhere. Hopefully, the cast is spread evenly next week.

And speaking of next week, join me when Dave Chappelle hosts the second consecutive post-presidential election episode (musical guest TBA). Hopefully he won't have as much as a hard time as last time. Although he was brilliantly hilarious last time, so either way, it's gonna get the highest ratings so far. I bet you that.

Thank you everyone for joining me, a 26-year-old weirdo dressing as Fred Jones from Scooby-Doo to review the Halloween episode on Halloween Halloween night. Maybe next time it happens, I'll be married with kids in a deluxe apartment in the sky rich from my job as an ad executive... and still reviewing while dressed as D.D. from Clue Club. I'm Andrew Pollard saying "I love New York and I'm also that lady". Goodnight... and good riddance. 

Sunday, October 25, 2020

Setting the Fire after Making the Rain | SATURDAY NIGHT LIVE 46 REVIEW: four - Adele & H.E.R.

Hello.

It's me.


How are you?




Can you hear me?


Oh. well.
At least I can say... I'm weird.


Welcome back to Saturday Night Live Review.

Tonight two incredibly talented women strut into Studio 8H and give us, the American audience needs right now: beautiful R&B music and what could be surprising talent in comedy.


Let's begin with our musical guest.
H.E.R. is and has been a wunderkind of a comperser and lyricist since her debut. In fact she had talent years ago as a little girl during anappearance in a singing kid segment on Today. Since then, her singles have been straight fire, her performances have inspired, her look (mostly sunglasses and fatigues at her beginnings) is mysterious yet highly lovely, and her many talents as an instrumentalist is second-to-none. She was born to appear on SNL. It's just a shock that she has hasn't appeared sooner. I just can't wait to see what she'll do.

Also under anticipation is Adele. This is bloody brilliant British blowout took the industry by storm when she released Chasing Pavements in 2008. I can't tell you how many times I've sung along to it, but I think I have less outward body parts than times I've bumped to it. But three platinum albums, singles that changed pop culture forever and a slimming look that dropped jaws. When I saw a pic of her after the hosting gig was revealed, mine was halfway to Brian Griffin's. Jiminy Cricket, the last person that shook me to the core with their change in appearance was Josh Peck. There was one time I've seen her be funny and that was a skit during one special she did when she went to a look-alike contest, acting homely and mousey and later surprised her "competition". That was hilarious. I hope the writers can tap into her homegrown humor and surprise us with a new comedy star instead of jokes of her Britishness. As if they don't do enough of that.

And so we begin with the last CO on the second and (thank all the deities) last Presidential debate. Instead of Kamala, Maya Rudolph appears as moderator Kristen Welker - who deserves a medal for dealing with 45.

This was a mostly boring and iffy. Alec Baldwin And Jim Carrey give their best as Trump and Biden, but the excirmenr and novelty has worn out more and more. I blame low number studio audience. And the writers for not even trying.

Loved the Eastwooding bit and Trumps joke on how 2020 has changed the scope of time in our minds. Plus, the racial jokes toward Welker and blacks were barely punchy but still chuckleworthy. When Carrey!Biden said Melatonin instead of Melanin, I knew I felt tired without taking that suppliment. The old jokes from Carrey!Biden can only go nowhere.

Finally making her way to the other side of the set, Adele's monologue was... Not much. Just jokes about her weight loss and the money ahe lost from her lowest selling single to a swear jar commendeered by Kenan. They were funny, I expected a bit more. But I guess the writers knew Adele is a first timer and needed to find her sea legs, so I understand they needed to tread lightly at the start.

So with the Sketch After, we get the big jump. In 2019, an excited and unassuming group of people visit a strange fortune teller (Kate McK of course) telling extremely off-the-wall and humiliating futures in 2020. This was a soft one, but its still pretty funny. Kate commanded the sketch but the other cast and Adele still had good reactions. Also, this has too be the straightest gay character Bowen Yang has played.

Chad is back once again, and proves to be one of the most expendable characters this show has ever seen. Not since  Samurai has this dude been in different situations and still ends the same way with laughs aplenty. Here he's at a haunted house with a ghostly owner telling her story and asking him to tell it. Only Chad doesn't so easily. I was truly mesmarised by Adele as the homeowner. Her voice is enchanting and her makeup screams Hollywood glamour.  This has to be one of the best Chad editions ever, and I can't believe theres a few.

If theres a good reason to still have Adele sing, this sketch is it. In yet another skit mocking The Bachelor, Adele appears on a reality dating show with other girls. They get annoyed when she gets the guy's attention and when she doesn't get it, she sings her songs. The joke is when the guy turns to other girls, Adele sings a song that fits in with the situation, and that is brilliant. Even when she isn't singing, she does very well done. And shout out to Heidi and Chloe and Aidy for their reactions.

Next up a pretape on what the aftermath of the election would be. As it turns out, Trump leaving and his behavior would still elicit the samw conversations. The accuracy is also on point, as yes this is what we talk about most of the time. ID rather go back to hating Baby Shark.

Time for an Update.
Pretty much all the jokes made me laugh out loud this week. Im so backed up, and guffaw so loud, thsts all I have time for.
Melissa Villasenor gave the best performance this week just from her appearance with her impressions of The Little Rascals, Stevie Nicks and Sia.
The Village People appear to shit on Trump, but then say some possible incriminating threats. This was just as great, thanks to Kenan's high-energy vocals, the other male members dancing, the studio audience clapping along and Jost's interrupting to say they're saying felonious threats.
Another home-run this season so far. Im starting to think most of the creative juices this season went to Update.

There is this sketch about these kids that visited their grandmother. It was funny but mostly weak.

Next is a travel commercial for Africa, where white women after their divorces go there to see the beaches, the oceans, the wildlife, the black man dick, the sunrise... wait what?
While the innuendo and subtlety was funny enough, Adele's corpsing upgraded it to hilarious. Her cracking up and continuing to the end were just perfect enough to make this the second best after the Bachelor rip off sketch.

Our musical guest H.E.R., is as Adele says, devine. Both her performances were if soul and rock had a baby, and a vibe that can't be explained for days but when you do, you get out something like "Yass, Queen!". While most performances so far have been incredible, H.E.R.'s is something I'd play for days soon after. And not just because her sound is my speed (although it's mostly the reason).

Lastly, a spoof on 80s ads you'd find on MTV and 80s pop-rock music all in one. Ass Angel Designer Jeans. They make your derriere smell very fair... And is a kidney killer. It was real good and well done for what it is. Too bad the audience didn't think so.

Such a smashing episode. While there wasn't many uproarious or servile humor to be found, the jokes were mostly funny and charming. Adele really has a gift for comedy and was a fantastic host. Her otber talent still found a way into the show and was still amazing. (Lucky frickin audience!) I have no doubt Lorne and the producers will try at the after party to convince her to return for a double bill next season when her next album drops (Im guessing 29 or 30). As for H.E.R., wow. I love when she performs live, and this set was no exception. Her soft smooth grooves were slick and sensational. Her current and later albums should be red hot hits (if they haven't been already).

Next week, epsiode will be the first episode to air exactly on Halloween! Join host (former writer and comedian) John Mulaney and musical guest The Strokes as the cast tries their hardest for the sketches to be both funny and scary. Sure can't top the 1981 Halloween epsiode (wow was that traumatic). We shall see.

Until then, goodnight... And keep on chasing pavements, turning tables, setting fire to the rain, rolling in the deep and finding someone like you. Never focus on me.