Okay... so... how was your night?
So the 94th Academy Awards took place last night, and it certainly was newsworthy for a lot of reasons. One the obvious, but we'll get to that.
I usually don't watch the Oscars with the highest level of excitement as of late, but I still watch to see what the set looks like (and it was beautiful as always), what awards would win the technical awards (and I feel the right films did - believe me, when Mad Max: Fury Road won its technical awards, I was bopping around in my mind; that movie more than deserved them), and how stuffy it all felt (somehow it wasn't as most years, but hoo boy).
Now to the moments that grabbed my attention.
-- The ceremony kicked off with Beyonce (and her band and dancers -- including daughter Blue Ivy) performing Be Alive from King Richard in tennis ball lime green glory. It was incredible and fabulous. I've never heard the song before, but it is a breathtaking production inspiring lyrics and grown-man-cry lyrics. A perfect way to start.
This year's ceremony was hosted for the first time by three women -- comedy actress Regina Hall, alleged "comedian" Amy Schumer, and stand-up icon Wanda Sykes. I thought they all did well considering the circumstances (yes, even Schumer) and held the show down well. Some jokes landed and others were more cringe than outright bad. I say this because I have more compassion and sympathy for Oscar hosts (knowing that job is tough as hell). This considering I despise Schumer, and love Sykes & Hall.
Back to the set, wow it's amazing. This year's stage is much more nuanced in terms of large physical set pieces, opting instead for bright LED light designs (like triangles and circles) and small, very uniquely designed Oscar props lightly all over the place. Also, no steps; the stage is just a few feet from the floor -- I enjoyed that too. One thing I'm still not in total support for is no orchestra under the stage; one of the joys of the telecast is the live arrangements of the songs related to the films of the winners (even when they wrap abruptly as soon as the winners grab their Oscar). Instead, this year, we get flavor-of-the-month DJ D-Nice, an introduction by Hip-Hop most unnecessary hype man (and most egregious producer after Mustard), DJ Khaled, and a super-band including Adam Blackstone, Sheila E., and Travis Barker. I heavily enjoyed the super-band, and D-Nice did real good (the tracks he chose I really love, and I'm glad they weren't as obnoxious about it like America's Got Talent), but the orchestra has timeless staying power. I give the producers brownie points for shaking things up, but it's either one or the other in my opinion; the mix in sources of music is pretty messy.
Speaking of the producers, this year's control room leader is movie and TV producer Will Packer, best known for Girls Trip (which also co-stars Regina Hall). He did pretty good as producer, but if he is asked again to produce, I'd believe a few ideas would not be utilized again.
Now on to some winners:
-- Ariana DeBose picked up Best Actress in a Supporting Role as Anita in West Side Story. I loved her reaction and light emotion as she gave her lovely speech. She also made history as the first Afro-Latina and queer actress to win an Oscar, as well as the first actress to win an Oscar for a role that also netted the original actress an Oscar (that of course being the iconic and beloved Rita Moreno in the original film).
-- Troy Kotsur of CODA became the first deaf male to win an Oscar for his role in the film (after Marlee Matlin won as the first deaf actor even to win the statuette). His speech was beautiful and emotional as he thanked his family, co-stars, and the film's crew, as well as signing his praise and love for his fellow deaf performers for working their hardest to get their foot in the door in the industry. I felt a little teary watching that speech and shout out to the majority of the audience for waving their hands (which is a sign for applause).
-- Encanto was certainly the animated film to beat (well, let's be honest-- film PERIOD). It was really popular after its Disney+ release and it's song were blazing to the top of the Billboard charts -- especially one song we all know, love or have gotten sick of (depending on your view... and age), "We Don't Talk About Bruno". The movie won Best Animated Feature Film, the aforementioned "Bruno" (which became a #1 Hit on the Hot 100), had its first live performance. Also performed was the song from the film that actually was nominated, "Dos Orguitas". Introduced by Stephanie Beatrix, the performance by Sebastian Yatra (accompanied by a couple with a romantically wonderful dance number) was sweet, sultry and beautiful. Back to "Bruno" (and introduced by Bruno himself, John Leguizamo), the performance was... ehh, alright. All the performers were talented and charismatic on the mic and I enjoyed it, but I wad turned off when Megan Thee Stallion appeared to rap; I came to once the song came to its conclusion.
Back to the winners
-- Dune dominated the pre-show and main-show technical awards
-- Riz Ahmed made history with his win in Best Live Action Short Film category with The Long Goodbye.
-- Jessica Chastain secured another Oscar for her role as Tammy Bakker in The Eyes of Tammy Faye.
-- CODA is the ninety-fourth film to win the Academy Award for Best Picture.
-- Questlove's Summer of Soul (or The Revolution Will Not Be Televised) won Best Documentary Feature Film. As someone who saw it and fell in love with the performances and interviews with the people who took part or are related to the people who took part, this was well-deserved. The doc shined a bight and beautiful light on a music and variety festival for and celebrating black people and culture that, unlike THE festival of 1969, went forgotten until the Roots drummer and frontman got the rights to it and brought it into the public conscience so a new generation can watch and experience what the folks in Brooklyn at that time witness with their own eyes and saw as a powerful, mesmerizing and incredible experience of fashion, art, music and love.
And I guess that's it. That's my highlights and thoughts for this year's Oscars.
Oh... yeah... That.
Okay, let's get into that so I can never hear or talk about it again.
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